El Shaddiai


During the years I lived in the compact quarters in the front of my horse trailer, I learned to discard something every time I acquired something new.  My routine changed from being on the road all over the country into commuting each day to Lazydays from Gee Gee’s elephant farm. I was successful, yet I guessed I would always just be living in a trailer.  

I recalled my friend Terry in Indiana. He encouraged me to have a home someday. My mother hoped along with my growing circle of friends that someday I would find contemporary stability. I planned to settle in Sarasota someday but with this opportunity at Lazydays I did not want a long commute. I liked being close to a big town but wanted a home in the country with zero restrictions. Again, Jack proved helpful. 

I had no experience with the home buying process. Jack helped me put together the criteria of what I wanted: a horse property, room for vehicles, remote but close to a big town etc. I did not want to be in the traffic close to Tampa. By looking east, Plant City became my target. I began a search for a home of my own.  I looked at several places while riding along with a real estate agent. One stood out from the rest.   

A two-and-a-half-acre property was loaded with big beautiful Live Oak trees. The ranch style home was long and low with sturdy block construction and a stucco exterior made to look like brick. The two-stall barn out back was perfect for Sir and Betty and the outside perimeter was already fenced in.  I fell in love with the place. 

My friend at Overcomer’s was also interested in what I found. Lee accompanied me to see the place I favored. While there, Lee offered to lift this quest up to God. We knelt in prayer. He started by thanking God for his power at work in our lives. After he asked for guidance in regard to the purchase of this place, I added to the prayer. I affirmed that if in fact this place was meant for me, I would dedicate it to friendship. The real estate transaction flowed to a sweet end. 

At one point my mother asked me what my new address was so she could send me something. When I recited to her the street name El Shaddiai she gasped.  

“Do you know what that means?” 

“No, I don’t.” 

“It’s Hebrew and one of the names for God,” she revealed, “God the provider.” 

That fact provided clarity about my new home. 

Before I could pull my rig onto the property, I had to have several loads of dirt dumped in a low area and have gravel spread to make a big driveway. During my years on the road, I camped in other people’s driveways. I wanted others to have the same opportunity here. A long and wide driveway also provided Jack a place to park his motorhome.  

The next few years saw tremendous growth on this slice of heaven. I began building and improving.  Priority was a round pen. The real estate lady’s son-in-law was available to work and knew how to trim trees. We also improved the fencing with railroad ties. 

I erected a large pole barn in the rear corner of the property with the help of River Ranch Gene when he visited in his motorhome. Building this workspace was the result of learning a lesson long ago about counting on a single major account. In addition to creating a place to park the rig, this pole barn – dubbed the hanger – provided an alternative place for paint work.  

Another friend at Overcomer’s had remnants of a nursery landscaping company among his property maintenance and cleaning services empire. Mike brought over three loads of plants, his sprinkler system installation crew and everything needed to transform the areas underneath the trees into lush garden areas.  

I began to bring home scrap marble from a regional granite yard where counter tops were made. I arranged those pieces like assembling a puzzle. They became nice garden pathways. I found a wooden swing to hang from a branch out front and created a secret place to sit and meditate. 

When I traveled through towns during my circus years, I became smug when I saw someone mow their lawn. I thought ‘what a waste of time.’ Now with rich black dirt, a head start with landscaping and encouragement from others, I developed a new addiction. I became obsessed with plants. Soon ornamental trees, hedges and flower beds transformed this slice of heaven into fodder that would have been perfect for the cover of Better Homes and Gardens.   

My mother came to visit each winter. Having a home was a big improvement to my digs at River Ranch or at Gee Gee’s farm. While decorating the interior of the house I gave the guest bedroom a musical manuscript theme just for her. Christmas became special with mother here. We went to the big Methodist church each year to enjoy a traditional holiday eve service.  

Jack arrived from Colorado about that time too. We had a campfire in the backyard when weather permitted. Our holiday was filled with laughter. The dedication of this place to friendship worked. 

Barry joined me occasionally at Lazydays and visited at my house. I thought since I now had stability our relationship would move into the next phase of commitment. For years we saw each other about a half-dozen times annually. One day she had an announcement. 

“I will never live with you in Plant City.” 

I was finding out more about this woman I loved. Apparently, a man coming in and out of her life was all she knew being raised by her aunt and grandmother. She never had a contemporary father or mother relationship modeled to her as a child. She raised her children the same way she had grown up – without a father in the house. There was a mysterious dynamic with that wonderful woman. One day she called. 

“There is someone I want you to meet,” she said over the phone.  

The mystery deepened. Then she prophesied, “I know you will like her.”  

I thought this was a trick. I proceeded to attempt to unravel the conundrum. I found out Barry had met a married man and wanted me out of the picture. I was devastated. 

The years went by. Jack became a fixture at Lazydays each winter. He helped me market and sell murals and gave the seminars. Those were busy times. I never saw my home in the daylight. The frenzy of motorhome buying was underway. I produced an endless stream of custom airbrushed images of all kinds for the couples who flocked to Lazydays.   

I began to get connected with the staff at Lazydays. I received phone calls from salesmen with referrals. One sunshiny day, I received a request to come to the front of the dealership to meet a couple who were buying a brand-new American Tradition motorhome.  

I walked from my painting pavilion down the sidewalk and into the main building. I went through corridors between office cubicles and up to the front door. In front of the dealership the salesman who called waved at me. He introduced me to Gary and Sharon who were interested in a mural.  

“Welcome to Lazydays,” I recited lingo we were all encouraged to use, “congratulations on your new motorhome.” 

  “I understand you want to personalize your coach with a one-of-a-kind airbrushed mural on the back.” 

As my interview progressed, I found out they wanted to portray their interests with both Husky show dogs and their Harley-Davidson motorcycle.  

From their request I began to visualize a snow-covered mountain background with two dogs that flanked the Harley in the center. I also found out when the coach was available for me to begin and scheduled the work to begin upon completion of the current project. 

When I started the work, I found out more about my guests. Gary and Sharon were from Raleigh, North Carolina. They had a large landscaping company. Sharon competed at dog shows across the country. The living room coach was removed to make room for all the dog cages stacked along one side.  

In addition to the motorhome, they also wanted a mural on the side of the trailer that carried their Mustang and the motorcycle. They wanted a sled dog team depicted on the sides with the likeness of seven of their dogs. I created a composition sketch with dramatic perspective to make the lead dog appear larger than all the rest coming toward the viewer. Each succeeding dog was depicted a little smaller with the sled driver standing on the runners in the background. Gary and Sharon became good friends and purchased several other motorhomes and many more murals over the years. 

Another couple from Pennsylvania wanted a mural of a pastoral meadow scene with wildflowers and a deer. As with many of these mural projects, while I painted, they sat and watched. This couple appreciated every little stroke I made. While I painted, they talked. I found out where they were from, how they met, how many grandchildren they had and that the husband always cried at weddings.  

I became especially good at creating custom images. Another couple brought their coach over from service where a large antenna had been installed on the back. He was a ham radio operator. He wanted an image of the world that would depict his ability to talk to anyone. My imagination went to work. I created an image that placed an antenna on a globe of the earth near his home with lightning bolts emanating in all directions.  

Another couple wanted the large military aircraft C-27 depicted on their coach. He had been a pilot and had numerous stories he told the admirers who came to watch the painting underway. The slang for this aircraft was ‘trash hauler.’ One story was about a mission where the aircraft was accompanied by several fighter jets.  

He made an announcement over the radio to all the pilots, “I bet I can do something that you guys can’t.” 

“Watch this.” 


The formation of aircraft continued on their course for several minutes.  

He got back on the radio, “did you see that?” 

“I got up and went to the bathroom.”   

Lots of activity took place here at Lazydays. One of the must-see places the staff mentioned to the guests was my mural art pavilion. When the salesmen gave a tour of the place in a golf cart on the way to show their guests some RV’s, they stopped and pointed out my creative activity. There was plenty to see at this place.   

After lunch, many of our guests walked out the main building along the flower lined sidewalk that threaded through the oak trees past the luxury motorhomes parked in clumps outside to go to the art pavilion to see what was going on.  

My being in the midst of the luxury motorhomes was a coupe. The folks who were here to look at the upper end coaches couldn’t help but notice Letterfly.  

Jack was the self-appointed greeter and endorsed my product. He had an American Tradition coach with a mural on the back. He confided to all our admirers all about the experience of having a mural and gave them an idea to consider about how they could get one free.  

“When you get to the point where the salesman slides the contract to buy across the table for you to sign,” he confided, “just push the contract back across the table and say “I’ll only go for this deal if you throw in a Letterfly mural for the back.” 

Because he gave two seminars a week, Jack met a lot of RV folks. Even if they weren’t buying a mural, these folks enjoyed his banter. 

Sometimes when he returned from a seminar, Jack commanded me to take him in the bus to a particular site on the property. I knew he had given the prize of free lettering to one of the guests. We jumped into the VW bus as if on an emergency run and drove over to where our guest waited. The job was usually names on the entrance door; Ron & Dora Smith, Emmitsburg, Pennsylvania etc. That sort of job could be done on the spot in under an hour and was an appreciated gesture that created good will.  

Many times, I had to modify my schedule to accommodate the customer. While underway with George and Gladys Thompson’s mural, I was told they had to leave first thing in the morning. In addition to having to stay on the job until complete, I had to finish the job in a service bay where the coach was moved to get another issue fixed. George was a pleasant man and appreciated everything we did to get him on his way. As evening turned into night, a fog settled into the area. By midnight I was ready to clear coat. Due to his need to leave in the morning I could not wait. I began to spray.  

The moisture in the air affected my clear urethane. I looked at the finish and saw the normally clear layer was milky. My heart sank. I thought to get my heat gun and discovered that I could heat the wet paint and get the blush to burn out leaving a crystal-clear finish. I was able to finish. We got the Thompson’s on their way. From that point on I never worry about humidity or how it can affect my paint because I know what to do.  

One day, while up on my stretch plank lettering on a coach, the wife came out to ask me a question. 

“Would the artist like a little bit of tibuli?” 

I recognized the name of the Mediterranean dish.  

“No,” I responded flat, “The artist would like a lot of tibuli!”    

She perked up at my surprise answer and we had a famous time. She even gave me her recipe. I was becoming a people person with my customers. My customers were couples I admired. 

In spite of being reluctant around the personnel at this place, I found a few pockets of safety with special people.  

When Jack left for Colorado, I did the seminars. While hanging around the classroom waiting for my crowd, I discovered a friend. Aditi answered the phone for the service department. Her office was next to the classroom where my seminar took place. I could visit with her while I waited for my crowd to show up.  

Between her calls, we talked and laughed about a variety of topics. Aditi was of Indian descent and introduced me to some of her culture and spiritual beliefs. One time I returned from a trip where I had enjoyed a middle eastern restaurant. I told her some of the names of the dishes I liked but she didn’t seem to recognize them. After the next time I went, I brought her the menu. 

“You idiot, this isn’t Indian,” she laughed, “this is Lebanese.” 

  One Christmas I had a special treat. My customers from Illinois were going to camp in my driveway and join me for the holidays. I met Lloyd and Norma McVey at River Ranch years ago. I painted something on everything they owned since. Their first mural was an image of one of their dump trucks on the back of their mauve colored motorhome. Norma was especially fond of pink. All their vehicles had some of this color somewhere in the exterior paint scheme.    

After a severe winter challenged their operation of a fleet of forty trucks, they made the decision to move to a warmer climate. They had a big auction and moved to Florida. Lloyd couldn’t sit still. He discovered a need for material to be delivered at specific times on golf courses and started another fleet of trucks. He only took jobs that could be delivered on time. He built a reputation for being on time and dependable. This became another successful business and a few years later he sold another fleet of forty trucks. Several times, they brought their newest RV to me at Lazydays for another mural.  

When he spec’d out a new Western-Star semi-tractor he wanted the Liberty Lady airbrushed on either side with fireworks explosions in the background. We became good friends the result of all these projects taking place at a regular pace over the years. So, the excursion to my place for Christmas was a natural. 

My friend Tom Gonder also planned to drive down from Michigan for Christmas while the Ford plant shut down for the holidays. I met Tom years ago at the county fair while he hung around and watched me paint T-shirts. He introduced himself as a sign guy. His timing for becoming a sign-maker coincided with the advent of new computer vinyl letter cutting machines that took the bread and butter away from the painters of signs. At first, I was somewhat reluctant with this friendly guy when I realized he was the enemy.  

We became friends and even figured out how to work together using vinyl with some of the carnival ride decoration projects I had underway the next summer. Tom was also an avid fan of drag racing and the tractor pulling contests at the county fairs.  

When I mentioned having guests in their RV at my home over the holidays, I also mentioned their names. 

Tom became excited, “you mean the Lloyd McVey?”    

Tom knew all about my friend. 

“Did you know that Lloyd was the first of the tractor pullers to put multiple engines on his tractor?” he rattled on, “Lloyd had three Mopar engines hooked together in a yellow super-modified tractor named the Super Banana” 

“He’s my hero.” 

At Christmas time my driveway was full of RVs. We gathered around the dining room table. I heard a story about a rival who hooked four Chevrolet engines together in a pulling tractor but still couldn’t beat McVey. I was in awe as Lloyd and Tom traded stories of drag racing and tractor pulling. I couldn’t keep up with them. These two talked about pulling tractors until the wee hours of the night. That Christmas stands out from all the rest when I recollect and compare fond times with good friends. 

Back at Lazydays the mural painting resumed. The pace was relentless. I enjoyed interacting with the endless stream of new couples. Each couple had a story.  One couple from Seattle wanted a mural of their famous skyline made distinct with the Space Needle. They also wanted Mount Rainier in the background. Because of the actual proximity of those features, I used artistic license to create an image with these features appearing together. 

Although social reluctance promoted my withdrawal into the creative realm, as my talent grew, people were attracted to me and I thrived. Through that series of people, I found benefit, emerged from my shell and grew. My life had come full circle. The lessons learned on the road brought me to a special place that also introduced me to the concept of home.  

Transformation had begun as the result of AA. I became interested in others. My customers pursued a dream. They launched themselves onto the road of adventure. I found that road as a teen. Now I was an example to them and a source of encouragement for their aspiration. I found new purpose. I started to see the beauty in others. This was behavior that my mother modeled.  

I found the solution was to see beauty and uplift others. I became a people person. The solution was taking a risk and becoming connected to my community. The reflected love returned me to my roots. My mother became my friend. We talked on a regular basis. 

Through our ongoing intimacy I was blessed again. My eyes were opened. I found magic all around me. I realized I have much to be thankful for. A miracle occurred. A whole series of people had blessed me on this long uphill climb. I had surrounded myself with people who were interested in my success.  Sure, I went through a lot of grief and unfortunate circumstances but my playful spirit came to the surface too. Others were why I succeeded. I have others to thank for getting me here.  I realized that life wasn’t good or bad; life is a blend of good and bad. 

My Return


When the summer was over, the time came to head south. I couldn’t wait to see how the RV dealership construction had progressed. I loaded the stock and headed south.  

The demand for high quality airbrushed murals placed me in an earning position that made the pursuit of opportunities to perform with the circus pointless. The remainder of the summer that led up to the Blue Bird rally in October became a blur of motorhome murals. The Blue Bird rally was on the way south.  

The Luce family had sold the company and the dynamic at Wanderlodge changed. I had learned a lot through this stepping stone of my career. I was grateful for the boost received and the opportunities I had found. I enjoyed what became my last Blue Bird rally. Then I made haste to return to Lazydays. 

  With those rallies complete, I returned to Gee Gee’s farm in Florida. At Lazydays I resumed my busy schedule of making murals, giving seminars and treated every situation with reverence. 

I continued to live in my horse trailer. I found out about a large horse barn a mile from Lazydays. Boarding my horse would free me up to work late. Souveran summed up his performing career in a single moment when I led him into that big comfortable barn filled with working cow and pleasure horses – he breathed one big sigh of relief. 

George Aldridge was the tall, strapping cowboy who ran this barn. His specialty was reining horses though he came from a lineage of meat cutters. The seventeen-acre property was once a destination for cattle to get cut up. The building where that activity took place was razed to make room as urban sprawl required the road out front to become eight lanes.  

George had a valuable piece of property. He knew someday the corner would fetch a handsome sum. For now, the large arenas and riding areas were utilized by cowboys who came to not only learn something from George but to put their horses in training with this gifted horseman. George began preparing a place in Ocala for his eventual home.  

My horse became my hobby. After work, I took a break from the rigors of painting on motorhomes. I spent time in the evenings perfecting trot work, canter work and the flexibility of horse and rider. This work began over two decades ago. I started with a 4-H horse in Clarklake and over the years utilized an impressive series of mentors.  

I started taking dressage lessons with an attractive dark-haired product of the sixties with a tired voice. Sharon was from Michigan and knew many of the dressage people I knew. Sharon had a precise way of sharing what she saw with a command of language with which to get her observation across.  

Our lessons were mostly recreational, as now my role as the resident artist at Lazydays took priority. I had no desire to beat myself up on the road with other opportunities to perform. I enjoyed the shift in my horsemanship focus. Perhaps to sharpen my skills as dressage rider for some other purpose would be practical, but the reality remained that this was now my hobby.    

While I lived in my horse trailer at Gee Gee’s, I resigned to the fact that I would probably always be living in a horse trailer. A circus family from Russia camped there too. I learned some of their language and enjoyed their food.  

One of the first men I met at Lazydays was also an AA member. Lee went out of his way to welcome me to the company. He also told me about a healing ministry called Overcomers at a nearby church. With my permanent painting situation, I got plugged into weekly social activities. I began to regularly attend this evening gathering.  

Overcomer’s was a blend of the twelve steps mixed with gospel. I became an avid member and progressed into facilitator at my men’s group. I remained dedicated to this ministry for several years.  

Being an artist in a permanent situation also provided me with the ability to see Barry on a regular basis. The drive to Anna Maria Island became a welcome respite. Barry and I attended local plays, orchestra concerts and the Opera at Sarasota.  

I learned that Tom Selleck had purchased a home on the island. One sunny afternoon I made myself busy. I picked up sticks and tidied up Barry’s yard. A week later I talked to her on the phone. Barry couldn’t contain her laughter. She reported getting a phone call from one of her curious neighbors.  

“What was Tom Selleck doing in your yard?” 

I attended the Lazydays monthly company meetings that occurred early before work where the entire staff of four hundred employees assembled in the cafeteria. I watched as new employees were welcomed into the company and salesmen received awards for selling large amounts of motorhomes. I was amazed to be part of this large company but also noticed social dynamics that reminded me of the playground of my youth.  

I felt awkward in that setting. There were too many people. I wanted to fit in. I attended the company meetings but never did receive the welcome gesture the new employees received. 

I arrived at Lazydays before sunrise and often worked past sunset. The rigorous pace of mural production remained steady throughout the year. Out at my studio, in the peaceful setting beneath old growth trees I had a safe place. This was my think tank for ideas. With a steady stream of customers, I stayed in production mode, I was happy.  

I attended the weekly CSI class, taught by Don Wallace. He introduced us to the foundation principles that built this company. He encouraged the use of common sense and introduced the hospitality mindset. Keeping these success principles foremost in my mind mixed with healing perceptions acquired at Overcomer’s. These learning opportunities lifted my attitude and perception. As I remained intentional with my attitude and regard for others I was lifted into a new realm of gratitude.  

One concept stressed by Mister Wallace was to reach out to another department head whenever a problem occurred that was out of our league. There were times when this happened to me. My entire career I handled everything myself. Here with this large company when I had such a problem, I entered into the scary realm of interacting with others. 

  Moving into these exchanges gave me an opportunity to grow. Sometimes I experienced the desired result but other times I witnessed behavior that actually ran counter to what Mister Wallace taught. Many personal agendas were the opposite of what would benefit the company and our clients. 

Fortunately, I had Jack. He was familiar with corporate insanity and coached me on how to go about getting things done in this environment. Regardless, these lessons on how to get along with others augmented the healing work started years ago with AA. These new lessons rocketed me into another chapter of my life.  

I found an ally in the marketing department. Tony was helpful with adding Letterfly to the amenities in all the Lazydays marketing. I continued with the marketing strategies started at River Ranch that got me here. I generated special brochures, photo books with examples of RV art for the customers waiting lounge and the sales staff. Jack helped me with selling concepts like providing a cash spiff to a salesman whose referral purchased a mural. I wrote, published (again with the help of the Ridge Printing company) and mailed out a printed newsletter to my client base all the news of this incredible situation at Lazydays. 

I discovered many reasons to become relational in this setting. New friendships blossomed as I tried new ways of connecting. A little at a time, I became a company man. Letterfly and Lazydays would grow together for many years to come. 

Corn Country Show Biz


The Circus Hall of Fame was situated on the one-time home of several touring railroad circuses.  Many artifacts remain from the historic winter quarters of this large circus conglomeration that resided here a hundred years ago. A circus fan aspired to make this a tourist attraction. He wanted live circus attractions among the old wagons and artifacts. A big top was erected next to the last of the remaining barns that at one time housed the animals. Another barn housed wagons, costumes, and had a sail loft where canvas production used to take place. 

Now, a handful of performers were employed each summer to provide two shows a day. The single location for the summer meant a vacation from the travel regimen I was used to. I liked the idea of having a stationary place to work my performing animals but from the get-go, I discovered that the momentum and function of this place was fractured and would probably remain so through to the end. 

By this time my animals had solid routines. I had appropriate costumes, clever choreography, patter and pratfalls. The mule act developed into a fun act that required the participation of the announcer as a straight man to support the comedy with the lines that I had written.  

With rehearsal appropriate, John Fugate, the ringmaster, deflected my request by declaring, “We are all professionals here. We don’t need to rehearse.”  

We entered into our performing regimen of two shows a day with John fuddling his lines as he read off index cards in front of the audience. The plethora of mistakes he produced proved frustrating to me as he missed crucial parts of the comedy. Fortunately, the high school horse act did not require his participation.  

With the use of a live organist, I developed an interesting interlude for the middle of the horse act. After the first two segments of the routine and after the bow, I assumed a striking pose in the middle of the ring to acknowledge the audience. The announcer then invited everyone to participate. 

“Please join Souveran the horse as he high-steps to the music,” John bellowed, “clap along as he dances for you.” 

As the musical strains of the Mexican Hat Dance began, I had Sir walk sideways a few steps and at the right moment in the song, had him do a double leg extension coordinated to the music which prompted the audience to clap two times. Then, as the music resumed, we walked sideways the other direction and did it again. This was repeated four times to complete the stanza that resulted in a logical conclusion and good reception.  

The conclusion of the act was next. By this time in his career a few elevated strides of the high trot occurred, followed by our now consistent canter work. After his halt at the front of the ring we bowed.  

With the concluding announcement complete, we backed through the center of the ring. In front of the curtain at the back of the ring, we took another bow prior to our exit. In spite of the constant bumbling of the ringmaster, the grassy venue, permanent stables and luxury of two shows a day all summer, I had a wonderful opportunity to perform and enjoy my animals. 

Some of the personnel at this place, starting with the director, were hopeless. They were retired fans who wore clown faces and had no clue about this culture. In spite of their pathetic contribution they still wanted to be treated like stars. The elephant guy seemed to resent being here. He had inherited an elephant from his father along with a couple of camels. In contrast to the exact efforts of most animal caretakers, his work ethic was sloppy. The elephant got loose one night and walked over to the water faucet and turned it on. In the morning the entire floor of the barn including my horse and mule stalls was flooded. I didn’t do anything wrong but I had to shovel out the mess his elephant created. He never did apologize or offer to provide replacement shavings. He just moped. He didn’t like anything about taking care of animals.  

Late that summer his wife and daughter joined him. Little Dallas fell in love with my horse. She hung around and offered to help me groom him. I’d lift her up onto his back so she could brush his mane.  

Often times after my act she waited by the back door. She knew after I dismounted, she could sit on him and get a ride while I lead him back to the barn. 

Not everyone at the Circus Hall of Fame was dysfunctional. Circus animal training greats Vince and Pom Pom were here with their collection of tigers. The steady pace of loving animal care provided the heartbeat in the backyard. We were all used to the hectic pace of travel and one day stands. With ample time here for the summer, we all found extra activities to keep ourselves busy. Michelangelo Nock was here and his enthusiasm was infectious. Having grown up in this business, he displayed a flexibility and a regard for others that helped ease any tension that occurred.   

I had spare time each evening and sought to develop new skills.  I hired a tutor to teach me computer skills. I went into town to make friends. I went to AA meetings. My life had changed as the result and I now had nine years sober.  

  One Sunday morning I met a great guy at the Presbyterian Church and began to attend the weekly Lions Club meetings with him. Tom was amazed that I performed with my dancing horse and comedy mule act at the Circus Hall of Fame for the summer.   

The Lions Club of Peru, Indiana met in the banquet room at a local restaurant every Thursday. During those meetings they searched for ways to benefit the community. I attended as a guest of my new friend Tom.  

Among the activities at the meeting were sending encouraging notes in greeting cards for people we didn’t even know. Each member received three cards and three envelopes. A notebook with names and addresses of unfortunates were passed around for us to copy from. There were also announcements about others in unfortunate circumstances who would benefit from our encouragement.  

During those weekly meetings the Lions considered new ideas to benefit others. When an assisted living home for those suffering from terminal medical conditions came up, they discussed possibilities. I had an idea. I volunteered to bring Betty the mule and perform for them. The plan was to work my comedy mule act for the assembled patients outside on the lawn and then take the mule inside and visit patients who couldn’t leave their rooms.  

The Lions Club members welcomed this idea. This created a stir with most of the club except one, a curmudgeon who seemed grumpy about everything. Harold scowled at the idea. 

The rest of the group asked about doing this little show and made a list of what was needed. Soon volunteers came up with a P.A. system, wooden stakes and ribbon to cordon off a ring area. They made plans to coordinate this event with the personnel at the facility and one member acquired a stock trailer to move Betty. This activity fit into my schedule after the matinee on an upcoming Sunday.     

The entire club rallied to make this work. On show day several men arrived early to stake off a circular area for the ring and stretched boundary ribbon around the circle. They acquired chairs for the patients who could walk. My friend Tom became the announcer. He learned the lines of the straight man to support the comedy. On show day he became acquainted with the P.A. system while I showed Betty the venue.  

Other club members went inside the facility to get our audience. They pushed patients in wheelchairs outside and onto the grass to completely surround the ring. When our audience was intact, we began our show.  

Tom the ringmaster began with his introduction, “Ladies and gentlemen, we welcome you here today to our little show.” 

“Introducing at this time,” Tom bellowed, “direct from California gold mining country, here to launch their career in show business, please welcome Gold Dust and the Old Cuss.”  

I led Betty into the makeshift ring and waved at all the patients. Our routine began with liberty work. I had Betty trot around the ring, reverse direction, trot the new course a few rounds and then reverse again to a stop. Since there was no ring curb, we didn’t do the ring curb walk. Tom set the hurdle in the ring. I gave Betty the cue to lead off and she resumed running around the ring.  

With the hurdle in the ring the desired response was obvious but she was trained to do otherwise. As Betty neared the hurdle she veered off and avoided the jump. I acted as if in disbelief. I feigned frustration. I gave her the benefit of the doubt. As she rounded the ring and came up to the hurdle the second time she veered away again. I acted miffed and took the whips in both hands. I bent them as if in frustration. As she neared the hurdle for the third time, I shook my finger at her and she jumped the hurdle to the delight of all in attendance. Tom was really having fun. Then just for good measure Betty rounded the ring one more time. As she neared the hurdle the fourth time, she veered around it again as if being mischievous. After I stopped her at the back of the ring, we took a bow.  

Next Betty came to the center of the ring. While she stood next to me, I gestured to the audience as if I was going to have her do another trick. While I looked away from what she was doing, Betty kneeled and then laid down.   While I made gestures to the audience, Tom called out to me. 

“Hey Cuss,” he stated, “it looks like you may have a problem.” 

I looked around and acted surprised to see the mule lying flat on the ground.  

“I think she fainted,” Tom surmised. 

“You are going to have to get her up,” he suggested. 

I stepped away, scratched my head and acted as if thinking about what to do next.  

Tom spoke up, “What are you going to do to get her out?” 

I perked up as if a thought had occurred. I stepped over her, reached down and grasped one front leg and the ring on the bit in her mouth. I pulled gently. I inverted her onto her back. She soon had four legs sticking up. I straddled her while she was upside down to steady her. I took her front feet in my two hands.  

“How are you going to get her out like that?” Tom asked. 

“I’m going to peddle her out,” I responded and gyrated her front feet in twin circular paths as if they were bicycle pedals.  

This generated a laugh especially from Tom who enjoyed every minute. I then laid her back down onto her side. I had to wait until he calmed down enough to remember his next lines. 

“You’re still going to have to do something,” he blurted between laughs. 

This was when I went into position next to her between her outstretched legs. I faked losing my balance, waved my arms and fell backwards over her and did a backwards somersault. This was her cue to go into the sit up position.   

I got up and dusted myself off. Tom continued with the patter. 

“Hey she’s sitting up,” Tom reported, “she’s sitting up.”  

“Hey Cuss, she’s sitting up!” He was excited. 

I scanned the situation and blurted out, “Oh no she’s not!”   

“Well if she’s not sitting up, then what is she doing?” 

“She’s sitting down.” 

That prompted a groan from Tom and the audience. 

“Cuss,” he continued, “you are going to have to do something to get her up.”  

I stood at the front of the ring and scratched my head as if in thought.  

“Hey Cuss, why don’t you just pull her up?” Tom wondered, “just give her a jerk.” 

   I went in front of her, lifted the reins up over her head and stretched them out in front of her in preparation for my next move. Two of the Lion’s club members had noisemakers and waited until my next move to add sound effects to the fun. I firmly planted my feet.   Being careful to not hurt her in anyway, I exaggerated a gesture with my entire body that looked like I had given her a tremendous yank. The attempt did not produce any result. 

“Give her another jerk,” Tom commanded. 

I repeated my wild antic to no avail. 

“And another jerk.” 

I did it again. 

“Another,” Tom repeated. 

Nothing. 

“Well Cuss, it looks like you’re the jerk.” 

Tom paused for effect while he thought of another idea. 

“Hey Cuss,” he continued, “why don’t you try to lift the back end up and get it even with the front?” 

I resigned to this idea and shrugged my shoulders. I pondered his suggestion and moved into position behind Betty. I did a quick muscle-man pose to flex my muscles. Then I leaned over and placed my hands beneath her rump. I strained and made another gesture that coincided with the funny noise makers and a loud grunt. 

“Try it again,” Tom said. 

I grunted along with the funny sounds again. 

“One more time”  

Groan. 

I limped away, stooped over, like I may have over-exerted myself. I walked clutching my back as if it were hurt. 

“I guess that is not going to work,” Tom observed before he reminded me, “you are going to have to do something!” 

He repeated, “you are going to have to do something to get her out of here.”. 

At this time, I walked over in front of her. As if under pressure with frustrated anger, a thought came to mind. I began swinging my clenched fist in a big circle as if to hit her. 

“NO! Cuss!” Tom intervened, “not that.” 

I relaxed and stepped away.  

“Hey Cuss,” Tom continued, “why don’t you think of something nice to say?”  

  I acted quizzical, as if I didn’t know what he talked about. 

“You know,” he continued, “something nice. Like the magic word.”  

I still acted miffed. 

“You don’t know what the magic word is?” Tom spewed forth, “I bet the boys and girls know what the magic word is.”  

He scanned the audience and shouted, “Don’t you?” 

They responded as well as they could. 

“Well what is it?” He yelled. 

The crowd responded “please!” 

I acted enlightened.  

I moved from the position maintained throughout this portion of the act in the quadrant of her starboard side. My position in the ring was the cue for her to remain sitting. When I moved around behind her, I came into an area where she saw me with her other eye – the get-up eye. She knew to get up next but not until I gave her the cue to do so.  

“On three everybody,” Tom shouted, “let’s say the magic word.” 

“One.” 

“Two.” 

“Three.” 

I placed my hands together as if to pray and bent my knees in an ask gesture as everyone shouted, “Please!” 

Betty got up. 

I stepped in front of her as if to take all the credit as the audience applauded. My posterior in front of her was the cue to give me a nudge with her nose.   

I exaggerated being nudged out of the way and then spun around to acknowledge her being there.  

“Now that you have said please,” Tom continued, “why don’t you say thank you?” 

I pulled out the carrot that was in my back pocket the whole time and showed it to the audience. Then I gave it to Betty. That got a big hand.  When the applause subsided, Tom turned to the audience with his question. 

“Have you ever seen a dancing mule?” 

I picked up the whips that had laid near the back all this time and got ready to lead-off again.  

“Maestro please,” Tom gestured to the man with the music machine.   

The music began. I used a wonderful orchestra piece for this part of the act that started with a little dainty sequence that implied a ballerina routine.  

As Betty rounded the ring, at the right place I gave her the cue to waltz. The waltz was where she turned 360 degrees in her tracks. Betty loved to waltz. We repeated the waltz movement several times until the music led up to the beginning of the crescendo portion of the orchestra movement.  

I stopped her at the back of the ring and gave her the command for the hind leg walk.   She stood up as straight as a candle and took careful steps that resulted in her walking from the back of the ring all the way to the front.  

The music culminated in a grand conclusion as we neared the front of the ring. I let her come back down and gave her the cue to bow. With her taking a bow, I styled to the audience for applause. When I gave her the cue to come up from the bow, I stepped in front of her. That was her cue to bite the rag attached to the back of my break-away pants. As she bit that rag, I pulled the buckle that released the securing Velcro closure. I stepped forward as the pants released making it appear that she had pulled them off.  

The backside of my inner costume was made to look like long underwear with the flap on the back. The flap had the words the end stitched onto them. I became frantic as if embarrassed. I moved to the center of the ring and took a wide stance with my legs apart and my backside to the audience.     

I whistled. That was Betty’s cue to come running. She came right at me and put her head down and ran between my legs. She scooped me up onto her back as she went. From that position – I sat on her back and waved – we rode out of the ring.  

Tom gave our concluding announcement, “ladies and gentlemen there you have it.” 

“The talented and entertaining personalities brought to you direct from the California gold mines,” he bellowed, “let’s send them off with a great big round of applause.” 

There was no reason to be in hurry when the act was over. Afterwards Betty and I browsed and said hello to many of the patients in wheel chairs. One lady spoke up to me. 

“I’d love to pet your mule but I have M.S. and can’t move my arms.” 

I guided Betty close to her and placed her head on this woman’s shoulder. Betty seemed to understand and carefully laid her head against her. The lady wept with joy. The local newspaper cameraman captured this moment in a photo that showed up in the paper.  

When the act was over, our plan was to take the mule into the care facility to personally visit the patients who couldn’t come outside to see the show.       

By this time the Lions had dismantled the ribbon ring and put away the sound system. The army of caretakers pushed wheelchairs back into the facility. Those able to walk went back inside after they stopped to see the mule.  

The Lions club members took bags of carrots into the facility and went into each room. They gave each patient a carrot for Betty. Betty would go from room to room and get a snack at each stop. This created excitement in the place. The Lions seemed to be just as excited.  

When I led Betty in through the foyer to begin going from room to room, I was stopped by a woman who wanted to chat. As I stood and answered her questions, one Lions Club member saw this friendly rapport was holding up the works. Wouldn’t you know it. It was grumpy old Harold. 

“Gimme that mule,” he demanded. 

I watched as Harold gently led the mule down the hallway to get started. Sure enough, they disappeared into the first room. After a few moments Betty emerged with her new friend and went into the next room.  

The afternoon went well. Betty enjoyed the tour of the place and all the carrots. This became a bonding experience for all of us, especially Harold.  

I received the report at the next Lions Club meeting that the patients were still talking about the day that the little mule came, did all the circus tricks for them and even visited them in their rooms.   

Overall, the summer tending my stock, performing twice a day, joining the community and making progress with other areas of my life qualified as a delightful experience. Right on schedule too. The largest RV dealership in the country had made it attractive for me to be their resident artist. This opportunity was priority. The severe incompetence of the Circus Hall of Fame provided a reality check; it got the desire to perform with the circus out of my system. 

Momentum

The time spent in this lovely oak hammock became, not only a haven for creativity, but a gathering place for guests to be entertained while they waited for repairs to be completed. Others perused the new motor homes on display at this incredible destination, the largest RV dealership anywhere. Each day, many guests made the pilgrimage to the Letterfly painting pavilion to see what was going on. 

R.J. took a personal interest in my creative offerings. During his frequent walks around the property, he stopped and talked with me about what else we could do for the guests. I began to think in terms of new services in addition to personal murals for the back of the coach. Our ideas for entry doors became little dog portraits, gold leaf monograms and hand lettered inscriptions of all kinds. I also began to pinstripe cars and trucks and even create spectacular graphics to make the tow car match the rig. 

The motor home buying frenzy was on. Folks were selling their homes to become full-timers, those who lived in their coach year-round. Money was available to borrow and flowed like water. Jack and I enjoyed the crowds that flocked to see what was going on at this place. 

We started each day with breakfast at a nearby diner. His argumentative style of conversation took getting used to. Once I realized this was his style of relationship, I caught on and entered the fray. Soon, aggressive banter took place between us at the restaurant and became another source of fascination for the onlookers he thrived on. 

Curious people stopped by to admire the work that took place. Those were the days of painting plenty of eagles. This was partly due to the patriotic nature of the icon and also due to the name of the Fleetwood motor home flagship; The American Eagle.   

Sometimes they asked, “what did you paint yesterday?”  

During my thirty-year career, my mind remained occupied with imagining that which does not yet exist. I don’t try to remember what I just did. I look into the future to visualize possibilities and unique new goals. In an effort to provide a helpful answer to those curious admirers and to have a private laugh between us, Jack and I came up with a standard answer to their query about what we did yesterday. 

“An eagle.”  

We laughed. We figured we had a fifty-fifty chance of being right. 

Jack fortified his tough guy persona with stories from when he was a Dade County cop, Air Force guy, Bail Bondsman, Stock Broker and later as a car salesman. The larger than life episodes kept anyone who listened, gripping the edge of their seat. Jack was an avid and talented story teller.  

Although toughness permeated the surface, Jack had a heart filled with love and dedication for the many people, principles and activities he was immersed in.  

“My father told me long ago,” Jack revealed, “life is a little bit tragic, and a little bit magic. Cherish the magic.” 

That was the sentiment that graced his motor home and was the name of his book.     

Those days were fun. The art pavilion was a gathering place for the curious to see the creativity taking place each day and to engage in friendly banter with Jack. I was up on the walk plank with an airbrush behind a motor home all day. Jack sat in his folding chair in his jacket and shorts. 

Jack arrived to accompany me at Lazydays at the perfect time. His familiarity with how corporate throngs work and his confidence in this setting provided the perfect segue for me to find my way. He recognized my need. Jack became my big brother and coached me in regard to producing apropos behavior with the staff of the large corporation, maintaining a positive mentality, attitude and appreciation for my role in this situation.  

A little at a time, I entered into relationship with department heads. Each week I attended our class on customer service instruction, called CSI, taught by the founder. In that situation I received instruction and encouragement. The founder’s son Don Wallace taught rules for success, encouraged the use of common sense and reinforced our overall purpose – to make customers for life. 

  I acquired positive, ennobling concepts for practical thinking, the use of common sense and dedication to provide the customer with an outstanding product. We were taught to go an extra length with every task to make our customers experience something that would insure they wouldn’t think of shopping anywhere else.  

As I became comfortable in my role as resident artist and interacted with fellow personnel, I received inspiration for additional offerings. One employee mentioned an idea about my giving a seminar that would be an interesting value-added attraction for the guests to enjoy at Lazydays.  

I was inspired. I began to prepare information about RV mural art. I filled a few sheets of paper with notes about facts important to me. The inaugural seminar was soon on the calendar. As the time approached, Jack returned from another trip and planned to attend. Two couples showed up for my first seminar. Not being much of a speaker at that time, I simply sat down at the table with my guests and read the notes I had prepared. Jack slumped down in his chair and drew his hat down over his eyes. 

            When the seminar was over, he had something to say.  

He announced, “From now on I will give the seminars.” 

I was shocked. 

            “You can’t possibly do that,” I squawked, “you don’t know anything about painting murals on motor homes.” 

            “I don’t have to,” he boasted, “I can make up an entertaining seminar on the spot about virtually anything.”  

He continued, “I’ve been giving seminars on a variety of topics for years.”  

Confidence radiated from his being. He took a stance that invited further defiance. 

“It matters naught that I know nothing about painting a mural.” 

            I was about to enter the realm of having Jack  teach me the art of giving a seminar,  

            Jack aimed his creative mind at structuring a series of entertaining concepts to include in his talk about the aspects of motor home art. Fun was priority as well as an opportunity to enlighten and interact with the audience. He included revealing stories about being a mural customer himself to endorse the experience. He even handled getting the seminars logged onto the Lazydays activity calendar. Two of these talks took place each week. His seminars couldn’t help but improve.  

            Jack loved an audience. He soon made posters and taped them on the entry doors in high traffic areas, on bulletin boards and in the café. These posters announced the seminar he aptly named; “Rolling Art,…Why a Mural?”  

I was somewhat anxious about trashing up the dealership with tacky flyers, but my attempt to voice concern went unnoticed. The frenzy of his activity not only filled the classroom with curious RVers, but the seminar became the most popular and heavily attended of all that took place. I resigned my concern and joined the fray. I created attractive poster art for Jack to use that included his idea to generate even more excitement; “win a mural!”  

Jack poked fun at everyone that attended. He found out where they called home and made jokes about those places. Quick to laud the efforts of military veterans, a big part of his message included popular notions of patriotism and gratitude for the freedom we enjoy, thanks to the efforts of those in the military. 

            Jack’s seminar started with an announcement, “I am going to first tell you what this seminar is not going to be about. This is not going to be a situation where I try to sell you something. I am here to share with you the experience of having a mural on the back of my motorhome and how that experience adds to the fun of roaming across this great country.”   

To introduce his audience to what they would learn, he established a series of steps that used a clever visual aid on the chalkboard. He used MURALS as an acronym. Each letter stood for an important concept. He prompted his audience to guess each word and gave them a hint of what each letter stood for with humorous results.  

He encouraged audience participation for two reasons; one, he wanted them ready with ideas later in the seminar, and two; often their guesses became opportunities for funny retorts as he continued to poke fun at everyone. His example of humorous responses introduced me to an effective way to communicate to an audience.  

After he introduced the guests as to what to expect by having rolling art on their motor home, he explained the steps that went into the production of a high-quality mural. This was to produce savvy consumers. Then he introduced them to what they could expect from having a mural on their motor home, from the other drivers on the highway and their fellows at the campgrounds while they travel this wonderful land. 

            The seminar concluded with a contest. One contestant – usually a combat veteran Jack selected and got approval from the rest of the audience – was asked a couple of ridiculous unanswerable questions. The contest was yet another way to add suspense while Jack poked fun at the current popular television game show final answer. After the grand prize question was revealed – a super simple query – his guest won a certificate for some free lettering.  

            The enthusiasm Jack had for this task was epidemic and became part of the conversation that swept through the staff and the population that frequented this place. The best result of his efforts were the curious RVers who followed him out to the mural pavilion afterwards to schedule mural work. For that I was grateful.  

            The result of witnessing how Jack composed and handled this seminar provided me with a big boost. When Jack returned to Colorado in the spring, I began presenting the seminar. As the result of his example, I created a talk that fit my style; an entertaining and enlightening talk of my own.  

Things were hopping. Lazydays acquired an additional fifty acres. Expansion began. The main building would get bigger. Two hundred service bays were planned and construction of a giant campgrounds began. As the season wound down into the dog days of early summer, I headed north to pursue my passion 

Jack

Between rallies in the fall of the year, I returned a phone call from a man in Colorado.

“I want a mural of a majestic eagle flying over the Rocky Mountains,” I listened to a gravelly request over the phone, “on the back of my motor home.”

The voice continued, “with an American flag flying in the background.”

Then he added, “and I must have the caption Cherish the Magic underneath.

I visualized this image with the phone against my ear.

“I will be happy to paint that for you,” I replied.

We then discussed the logistics of getting this project done. He was coming to Florida from Colorado for the winter. I would do the work at Lazydays.

            I received calls such as this regularly. As Letterfly, I was in my ninth year as an artist with the specialty of painting airbrushed murals on motor homes. Jack heard about me in Colorado. Having frequented rallies all over the country, my reputation as the premier creator of high-quality artwork was established.

When my tour was over, I returned to Lazydays as the resident artist during late 1995.

The situation at this dealership proved to be right. I found an endless stream of folks who wanted beautiful murals to enhance the appearance of their RVs.

A few days later, my customer from Colorado arrived. He was amazed with this sprawling sixty-acre facility. Once he settled on his campsite, the work began.

During this embryonic time at Lazydays, I conducted my business the same way I did at the multitude of rallies attended throughout the previous summers, and as the resident artist at River Ranch during the previous eight winters. Wherever I found an opportunity, I set up my apparatus and began to paint. I started on Jack’s mural.

His motor home was parked in the shade of the trees in the camping area of the dealership. Curious couples stopped by to investigate my industry. This meant we had an audience. Jack began to pour forth a whole retinue of amazing personal recollections along with announcements about the mural taking shape. I discovered Jack was a gifted story teller. While he talked, he endorsed my product. I kept the focus of my attention on all aspects of the project at hand.

Jack was blunt. He had a salt and pepper beard with a physique that at one time was similar to mine but was now compromised due to a bone disease. He was stoop-shouldered with a hunch back but that didn’t stop his relentless drive to remain the center of attention.

From the start, I was impressed with his friendly banter, the manly references to God and country and the way he poked fun at his plight with bone disease. He referred to his stooped six-foot frame as an egg with feet. Jack traveled alone in his big motor home with a German shepherd named ‘Dawg.’

                The procedure for prepping a coach was the same as it had been for almost a decade.   First, I set up two step ladders and a walk plank behind the back of the coach. I cleaned and sanded the area to receive the paintwork.  I then taped paper and bisquine to protect the adjacent areas of the coach from the protective clear coat applied last.

I harvested reference pictures of all kinds while looking through nature and art magazines. When I discovered an interesting image, I ripped the page out of the magazine to file away in my swipe file. While in the development stage of this mural, I went to my swipe file and found the rocky mountain folder. Inside were images of snow-capped mountains. In the eagle folder, I found an eagle with wings outstretched in flight just as Jack had described.

Using these images as reference, I drew a scale drawing to establish my composition that would also include the caption ‘Cherish the Magic’ across the base of the painting. Once the sketch was complete and Jack approved, I proceeded to draw the image full-size onto the now ready back-end cap of the motor home.

Using the traditional skills of a sign man, learned as an apprentice in the seventies, I scaled up from the reference picture, drew an exact depiction using simple mathematics and a yard stick. The use of these techniques over the years resulted in the development of my ability to see what I am looking at and draw what I see any size. 

Once the particulars of the project were clear in my mind the work commenced. Jack’s conversation continued. Soon I became familiar with the great childhood he had in Fort Lauderdale along with tropical adventures that occurred as a teen. I also heard facets of the varied career roles that took him many places. He told exciting anecdotes. All were fantastic and some difficult to believe. With the steady stream of factoids, reminiscences, opinions and anecdotes that poured forth as I painted, I became acquainted with a being who loved to talk.

“I contain a plethora of superfluous information,” he bragged.

Jack was quick to share an opinion about virtually any topic that came up. I soon found out that it didn’t matter to this inquisitive, analytic mind which side of an argument he was on. What he loved most was the argument. At that time, I still lingered on being shy. I was cautious and wanted to make the best possible impression at this mega dealership. At first, I was meek about the bragging and boisterous banter he produced.

At Lazydays, I found an obstacle to production I hadn’t encountered before. Due to the tremendous amount of traffic in and out of this place, every RV parking space was designated for a particular length of time. If I had an opportunity for a mural but it occurred at the end of our guests stay on the property, they had to leave. I had no place to do the work.

While I worked on Jack’s motor home under the tall pine and oak trees in the guest camping area, he became familiar with this plight. I didn’t know it at the time but his analytic mind had begun to percolate.  Later, Jack became instrumental with the creation of a solution.

            When the mural on the back of his motor home was complete, to say he was happy would be an understatement. He was elated.

“I’m going to head down to Miami and hang around with my old cronies,” he announced.

He had been a Dade County policeman years ago and hadn’t seen his old beat in years.  I bid adieu to my new friend and he drove away. Then I resumed my duties around the dealership.

R.J. Wos had interest in my enterprise. He became familiar with the occasional parking frustration I encountered. He encouraged me to park the next motorhome in the patio area where the guests were served hot dogs for lunch. He appreciated the entertainment aspect of what I was doing. Soon, another motor home was on display for me to work on in front of the guests as they consumed lunch. This situation also helped to sell the next project. I stayed busy.

Two weeks later, I received another call from Jack.

            “Hey Dave,” he stated, “I’m planning a return trip to Lazydays.”

            “Great.”          

“There’s a seafood buffet nearby in Kissimmee,” He continued, “I plan to drive over there one night.”

Then he added, “you can go with me.”

“I’d be happy to go.”

When he got back to Lazydays, Jack told me about his visit to Miami. He went to the neighborhood where he grew up and saw some of his old officer friends. He told additional tales of manly adventure and about doing incredible deeds as a cop that established him as a legend.

While on the way to the seafood buffet, out of the blue he asked, “where are you going to watch the Super bowl?”

I hadn’t even thought about that.

He then announced, “you can watch the game with me in my motor home.”

We enjoyed an extensive buffet that night.

I was flexible in my role as resident artist and had the ability to include a companion in my professional routine at the dealership. On the following busy days Jack joined me wherever I was at Lazydays while I created art on motorhomes. While with me, he provided a relentless flow of conversation.  

Jack befriended a service writer. He soon had a free parking spot with electricity for the winter season.  A week later he asked if I wanted to accompany him to another buffet near Disney where he claimed he would eat his body weight in Lobster. Later still, he planned an excursion for us to Universal Studios. When Super Bowl Sunday arrived, I enjoyed his hospitality and the luxury of his coach while we watched the game.

During a lull in the game, Jack confided, “I’m having more fun hanging around you than I did with my old cronies back in Miami.”

At the dealership we became inseparable, almost joined at the hip. Jack lounged in his folding chair all day, nursed a diet Pepsi, and held court with anyone who walked by. Up on the walk plank between two step ladders, I entertained guests while I painted beautiful airbrushed murals on an endless stream of motor homes.  Jack provided running commentary. As we bonded, I shared with him my concern about the lack of a dedicated parking situation for my guests with motor home projects.  This caused occasional frustration in my role as resident artist.

            I told him about a letter I had written to management that addressed my need for a dedicated area in which to work. He asked to see a copy of the letter. The next day I showed it to him.

After his perusal, he asked; “you didn’t send this did you?”

Sheepishly, I revealed, “yes, I did.”

He winced for an exact theatrical moment of time. Then, as he thought about the letter, confidence surfaced. Jack calculated his next move.

After pause for effect, he announced, “I think I can fix it.” 

A competent writer, Jack revealed to me the story about a book he had written; a novel about a dog handler in Vietnam. Although he didn’t go to Vietnam, part of his military experience was being trained as a dog handler. Before he was sent overseas, his orders were redlined. He spent the rest of his Air Force career as a guard on Air Force One protecting President Nixon.   

Jack wrote another letter and showed it to me.  It started off by commending the brilliance of having an artist in place to not only serve the customer but create the premise of a unique destination which would help the overall business thrive. Next, he introduced the value of maximizing this opportunity to create an attraction for the guests to enjoy by designating a specific area for the creation of art. A place that would become one of the most memorable on the property.

The management of Lazydays selected the prettiest place on the property for my studio: a specific location surrounded by park benches and lush garden areas in an old oak hammock. I erected a carport roof for my studio. This lovely, quiet spot in the midst of large oak trees became known as the art pavilion, a special place in which Letterfly thrived for the next thirteen years.

More Is Revealed

“Nature is infinitely creative.
It is always producing the possibility of new beginnings”

Marianne Williamson

A New Beginning

      At the end of the winter season I went to Lazydays to embrace opportunity. Nine years on the rally circuit established my reputation as being the top producer of airbrushed murals. Lazydays made it attractive for me to set up shop at their new expanded dealership destination.

       I went through orientation classes and got familiar with the property. I generated new brochures and placed them throughout the complex. Plenty of traffic frequented Lazydays. I became busy. This giant dealership placed me in the big leagues but would soon throw a curve ball. I felt my way around that spring and soon realized I needed help. An advocate was on the horizon.

       At first, I was complimented. I had never been around a large corporation with hundreds of employees before and the energy at this place was intense. When I arrived to assume my role as resident artist, my first inclination was to be socially reluctant. I sensed a need to be cautious in spite of their welcome. True to my personality style, I remained immersed in my craft producing incredible painted images. I had fun with my customers and stuck to myself.

       I explained to R.J. about prior commitments – rallies that were booked and my annual Blue Bird excursion – I agreed to return for the upcoming season to create murals as their resident artist. After another summer on the road, I returned to Florida with my horse and mule. I parked the rig nearby at Gee Gee Engesser’s farm and had a short daily commute to Lazydays. This opportunity opened up a new chapter in my life. I now had a place to thrive and be blessed in countless ways.

Motorhome Rally Time

By this time demand for airbrushed murals on motorhomes had reached epic proportions. I stayed in a work frenzy every time I landed in a group of RVs’. I had an efficient system for accomplishing the work by this time. I carried seven step ladders and three stretch planks. Because a rally was typically four days long, I wanted to clinch four jobs and get set up behind four motorhomes right away. Four projects partially started insured their commitment. Then I efficiently completed them assembly-line fashion. But I had to hustle.    

The RV dealerships at these big rallies were just as busy. The motorhome frenzy had begun. Rigs were traded in on new ones and the sales staff in golf carts went everywhere. Several times I received a hand signal from one man in particular on a golf cart. 

“Hey,” he shouted, “I want to talk to you.” 

I recognized him. I had seen this guy before at several of the rallies I attended but we were always so busy we never did get a chance to talk. I found out later that he was with an RV dealership in Tampa called Lazydays. I also learned Lazydays was moving from their original sales lot to a huge piece of property outside of town.   

Near the end of the winter season in 1994 at River Ranch I received a phone call. This same man from Lazydays wanted to talk to me. When my winter gig was over, I drove up to Tampa to meet R.J. Wos.  

RJ gave me a tour of the sprawling dealership complex under construction and I listened to his pitch. He explained to me that the sales staff grew every year and populated an acre of cubicles. The reception area was flanked with finance, insurance and managers’ offices. The service department boasted a hundred service bays.  

There were class rooms for product representatives, a lunch room and a comfortable waiting area for the guests who populated the interior of the main building. The outside had a labyrinth of new product display areas, camping spots and parking. Lovely gardens surrounded the inventory lots where hundreds of new motor homes and tow-ables were on display.   

The goal of the founder was to make this a one-stop RV destination with everything you could think of for an RV available on the property. Having the ability to get a custom painted mural on the back of your motorhome was part of his vision. R.J. wanted me to bring my artistic services to Lazydays and make this my home. All the stops had been pulled out to make this a fun place and they wanted more. RJ wanted me to start right away.  

I had made a commitment at River Ranch but things were changing. When the promotion company left, they handed the property management duties over to the property owners. The entire dynamic changed. The dude ranch became just another restricted community. Differing agendas between lot owners promoted bickering. I still had work to do but now, if one person had an issue with any aspect of my activity there would be a showdown in the street.  

Someone had an issue with my horse trailer not having an RVIA badge on it. That unleashed a flurry of rhetoric. I was forced to hire an RV inspector to make sure my rig met specifications. After his inspection he assured me that I was being exposed to ‘bullshit.’ There was nothing wrong with my rig. 

Barry enjoyed spending weekends with me. One evening we wound down while enjoying our meal in the Branding Iron restaurant. I let my fork sink into my slice of German chocolate cake. As I let the flavor steep into my taste buds, the security officer came into the restaurant and up to my table. He announced that the golf cart on my lot was parked illegally with one tire on the grass. My heart sank. I withdrew. The feeling of elation evaporated on the spot. 

“Don’t shut me out,” Barry put her hand on mine.  

She reminded me of her presence.  

Volleys of hurtful attacks went back and forth between all my colleagues at the Ranch – all the result of fear. The ranch sank into a dark period of neglect, bickering and confusion. Thank goodness another door was opening.  

The future for River Ranch looked bleak. The Hey-Day of River Ranch was over.  The developers who hyped the conventions, rallies, fly-ins and get-togethers were gone. The electricity they brought to this cozy Dude Ranch was now but a memory. I remain thankful for the many years of opulence and creativity and the opportunity to complete a large body of airbrushed work on motor homes. My exposure at River ranch served to establish the name Letterfly in the RV community. Working in this luxury setting was an important stepping-stone for an emerging artist. 

The indelible mark made by the quartet of bachelors I was part of remains. I am grateful for the richness that friendship brought, a richness unsurpassed by wealth and longer lasting than even monuments of stone left in the desert.  The gratitude that radiates from my being to this day is testimony enough to my years at River Ranch. 

Kathy Daly

Opportunities to perform were scarce in comparison to the demand for airbrushed artwork on motor homes. My life with the horse and mule between periods of work frenzy, settled into something that resembled a hobby. During the summer, my animals were up north in Michigan and during the winter they were with me in Florida.

By this time, due to encouragement by Dorita, I began to work spring and fall – before and after River Ranch – with her protégé in Gainesville, Florida.  Kathy Daly provided training for my horse in addition to the riding lessons started by Dorita. Kathy’s farm was a lovely wooded area filled with old oak trees. The situation at Kathy’s stable offered lots of camaraderie, due to the abundance of horses, students from the University of Florida and the nearby horse show facility called Canterbury.

Kathy had the distinction of being the trainer and dressage rider of a famous horse. Mistie’s Twilight is the title of a book written by Marguerite Henry. The true story is about Dr. Sandy Price and her children who acquired a horse at the Chincoteague pony sale.

With Dr. Sandy as her patron, Kathy trained Mistie’s Twilight into a dressage horse. This talented duo scored high at all the regional dressage shows. They eventually achieved the level of Prix St Georges. Several times during the years I worked with Kathy, I rode Twi who also became one of the Breyers Horses – plastic statues of famous horses. I enjoyed many moments observing the harmony of Kathy on Twi as they prepared for another dressage event. Observing advanced horsemanship accelerated my appreciation and awareness of the skills utilized.

 Souveran had a friendly personality and proved to be a playful escape artist. Upon settling into a stall, he first investigated the integrity of the fastening device on the door. A sliding latch he could reach with his lips was open in a short time. Having escaped, he found grass nearby or went directly into an abundance of girls to receive affection.

The criteria for my lessons was suggested by Dorita. Under Kathy’s watchful eye, my command of this horsemanship art form continued to develop. Training sessions with other horses often coincided with my being on horseback. Kathy and I rode in the arena together. We attended to her hand on particular tasks on our horses while we observed, reported what we saw and interacted with each other with jocularity the whole time. 

Dorita had a patron near Kathy’s farm with a guest house. She occasionally traveled up from Sarasota to teach. When in our area, Dorita came to Kathy’s to observe our progress and reflect.

One of my all-time favorite memories occurred one picture-perfect autumn day in the shady setting at Kathy’s stable. In the soft pattern of leafy shadows, the sandy arena under tall trees provided a picturesque place for our riding to take place.

At an observation bench at one end of the arena, Dorita sat flanked by Kathy and Wendy, the tall event-rider who ran Canterbury. My observation point was on Souveran. I demonstrated my progress to my mentor.  I still recall those beautiful ladies beaming up at me with shining faces. They looked up with affection and awe during that special chapter of my life. The growth taking place in that oak hammock was evident to all of us that day.

Quebec

Through an agent I found an interesting opportunity to perform with my horse and mule on a five-week circus tour of Quebec. I signed up for what proved to be an exhaustive tour. The first part of April, my entourage left Florida. The weather cooled with each mile driven north.

The tour started east of Montréal mid-April. On my way to the first town I saw ice still on the lakes. Like the other Canadian tours, this circus utilized Hockey arenas abundant throughout the province. Being surrounded by French-speaking people exposed me to extremes they have a reputation for, being rude and unkind. But at the other end of the spectrum, I found many to be kind and a fun-loving people. 

I became part of a troupe that included the usual attractions for an indoor show. We had trapeze, magic, jugglers, a dog act, plate spinning, trampoline and Gary Sladack with his chair stacking act. The tour went first through the farm country of central Quebec and wound around the capital of the same name. Then the show went east on the mainland to the easternmost city. Mataine proved to be the most boorish place on the tour.

The entire show was loaded onto a ferry boat mid tour. We sailed north across the St Lawrence Seaway to continue our trek. The hour and a half long boat ride had an interesting highlight – a whale sighting. The trip continued northeast to Sept Isles, or seven islands, as our easternmost destination.

This season became a man-killer because we showed a new town every day, seven days a week, with an average of a thousand miles per week. A pace like this was hard on everyone. Three weeks into the tour, I was rattled mentally, physically and emotionally due to these demands, plus I was away from my sobriety group back home. I knew an AA meeting would help. Hopefully I would find serenity with my fellowship here in this strange country.

While in northeast Quebec I looked up the number for a local AA group. I wanted to attend a meeting close-by and called, only to find an answering machine with a message on it in French. Not knowing what else to do, I left my request for help using English. I hoped for the best. I found out later that the lady who retrieved the messages spoke no English. She had to scramble to find someone to translate my message.

When my request was finally understood, they were able to call and gave me the address of a meeting. The gathering ended up being in the building next door to the arena where the circus played. I was relieved. I could walk. I found the group. While I sat in the setting around a table, I listened to a language I did not understand, I was none-the-less connected to the others who sought relief from our affliction. I was relieved. I found an hour’s vacation from all my concerns.

The tour went north. Although the May weather was warming, occasionally the sky spit cold rain at us. Conditions between the performers in the backyard were not ideal.  The management did not utilize the customary parking privilege system employed on most circuses. The result of this lack was a first-come first-served hap-hazard formula that pitted performer against performer in the backyard.

Every man for himself further aggravated emotions taxed by the rigorous man-killing schedule. Many times, I arrived to find rigs parked in disarray that completely blocked reasonable access to the door that the animals had to use. I then parked a block away. I was on my own until show time.

The routine I presented with my horse was abbreviated due to the lack of proper footing in the arenas. They put carpet over the surface – concrete or ice. Souveran wore clamp on rubber boots for traction. We did no canter work. We did trot and lateral work, the three-step, march, backwards double three-step, bow and camel stretch. I invented the box-double-dance-step, a new part of the routine. This addition to the routine encouraged participation from the audience and proved to be a crowd pleaser.

The box double dance step began with us standing in the center of the ring.

“Clap along with the horse,” the announcer introduced the concept of audience participation, “as the horse dances to the music.”

The organist played a highly recognizable hat dance riff and we side-stepped to one side and produced two foreleg strikes coordinated with two staccato music notes. Then the riff repeated and we moved the other direction and concluded with another two leg strikes in time with the music. The sequence utilized four stanzas and concluded with a chord and a style.

 The lack of a good place to stable the livestock during this tour due to long jumps, the weather and unsuitable parking lots made the trailer an almost full-time stall situation for my stock. Betty and Souveran were getting cranky from not having an opportunity to lie down in comfortable bedding.

Way up north, beyond the 49th parallel, we played at a school where Eskimos and Indians lived. Although very poor, they enjoyed our show. Then the tour headed west towards gold country. I saw spectacular scenery on the longest jump of the entire tour, but the frost heaves made travel painfully slow.

As the rig hit a regular rhythm of ba-bump ba-bump ba-bump, the sheer numbers of those painful bumps – due to the length of the jump – became a form of torture that drove me mad. This ordeal was sort of like getting kicked to death by rabbits. I had no alternative except to press on at a slow pace. The slow pace elongated the excruciation.

Halfway through that grueling trek, at a truck stop out in the middle of nowhere, I saw Gary Sladack, the trampoline artist, pull in behind me. I zeroed in on him in my twisted mental state and spouted off in an attempt to get some relief from the mental frustration. Kind hearted Gary let me vent, and after breakfast, we continued on our way.

In an extreme northern location, halfway between towns, a swift river interrupted the highway. This locale had been assessed as being too difficult a place to ever build a bridge. Ferry boats carried traffic across this raging river. The circus rigs were loaded one at a time onto the boats. When we left the dock, the captain gunned the accelerator and steered the craft upstream. The swiftness of the current caused the path of the boat to make an arc like the path of a howitzer across the river. As I watched this madness, I realized the level of skill such a feat required. We arrived on the other side at the dock built to receive the trajectory ferry. While making the passage, one of the sailors told me about how much ice accumulated on the ferry during the winter because this service continued year-round.

In gold country, near Val Dor, a young French-Canadian girl was hanging around after the show. She displayed interest in my horse. Soon the prop boss, who spoke both languages, appeared with her and served as a translator. She wanted me to go with her. I was complimented and hoped she wanted romance.

We walked through the city streets to a Casbah. Instead of going inside, we stood out in front. I wondered what was going on. Soon a car pulled up. We got in. The night time ride was mysterious, and due to the lack of ability to have a conversation, I continued to wonder what she had in mind. Eventually we pulled up to a large farm complex. As I stood in the frosty illumination of the yard light at one end of the barn, she went inside for a minute and reappeared with a horse.

She then went into verbal gyrations with an unknown language as she attempted to communicate to me something that involved this sleepy animal. She waved her arms and produced a flow of a beautiful language that I concentrated to no avail to understand. I finally decided that she was challenging me to show her how to get that horse to do all the things I had my horse doing.

                The bizarre nocturnal experience became even more ridiculous when I began to lead her horse around in a circle in the dark and attempt to communicate with her, as well as possible, using gestures and words that only meant something to me. Although, my understanding of the complicated process of making a dancing horse was available on that cold starlit night, I was using a language that she clearly did not understand.

After this nighttime rendezvous with my cute French admirer, the grueling pace of our tour continued. We cautiously made our way through moose country toward the capital, Ottawa. The performing locations in this urban area contrasted greatly with the venues in the extreme north. Grand arenas for larger crowds made our little show look good.

An amazing thing happens between man and horse when you take the horse away from the barn. Every time I unloaded Souveran from the horse trailer, the scenery looked different. Everything he was familiar with was gone in this constantly changing environment. The particulars of the venue, although they contained similar basics, had different characteristics. The situations that occurred during each performing routine in a new location each day were varied.

The stimulation of the ever-changing variety finally got the horse to the point of non-resistance and a bond developed between us. The only constant presence in his life was me.

My role in his life was to be a source of consistent guidance, love and encouragement. Trust developed. Even though I mounted up and pointed him towards the ever-changing, my confidence helped him settle into trust. He had a good work ethic. We developed the good nature of a true friends. I refer to this dynamic as connection. Every living being has, deep down inside, a desire for connection. I found it first with horses.

I must be careful when I attempt to communicate this real to me, special concept to others who have never taken a horse out of a typical situation. Most people cannot relate to the experience of becoming true partners with an animal, or empathize with finding a silent, unspoken bond. Souveran and I had an almost spiritual connection. He trusted me during all aspects of our life together. Love influenced all of our behavior with one another.

I hope you as the reader can appreciate just a fraction of the idea that each moment we were together was filled with regard and wonder. I gently talked to him and he responded with mellow nickers and nudges. I often think that the relational experience that happens with a horse may be a valuable, qualifying prerequisite for the complicated relationships that involve people. I have tasted true bonding. I have enjoyed union with a horse. I know strong connection with another living being is possible.  

Around Montreal, the venues were closer together with short jumps. We finally had a chance to catch up on our rest. The weather warmed up and at the conclusion of the tour, a moment of togetherness occurred amongst the performers. We all laughed, breathed a sigh of relief and were glad this grueling tour was over. Then a long jump occurred; the trek back into my role as a motorhome airbrush mural artist.

This show biz diversion took place at the same time my reputation in the RV industry gathered momentum. Letterfly was rapidly becoming established as the top producer of high-quality airbrushed murals on motorhomes.

Barry Fouts

Christmas time in Sarasota always looked different. My bi-annual visit to work with Dorita allowed me to fit into other situations in this city I have grown to love. On my quest for spiritual enlightenment, I found the Unity Church. My friendship with the pastor led to a surprise occurrence during the service on Christmas eve. I usually sat near the front. Prior to the beginning of the service the minister came down to where I sat.

“Dave,” Don began, “it would be okay for you to sit over there next to Barry.”

He gestured towards a woman in my row sitting alone. I got up and moved to her side and sat down. She was a tall blonde with an asymmetrical haircut. We sat side by side during the service and enjoyed the traditional holiday inclusions.

When the service was over, she turned to me and asked, “would you like to come over for Christmas dinner?”

Thus, began my friendship with Barry. The next day I drove through the luxurious barrier islands off of Sarasota to the northernmost called Anna Maria Island. I found her house nestled between trees across the street from the homes on the ocean.

Her quaint home was filled with antiques and the setting at the dining room table reflected her connection with opulence. The half dozen guests included her daughter and husband and other close friends. I discovered later that her boyfriend of several years had also been invited.  Barry told me later that she wondered how she would explain my presence. But he never showed up.

Barry and I merged through this friendship into coupledom. Barry was fifteen years my senior. She had grown up next to Mobile bay in the affluent Daphne, the granddaughter of importers of Azalais from Japan. Her mother and father were never part of her childhood. She was raised by her aunt and grandmother. With me on the road most of the year, our relational pattern became only occasional access to each other. This suited her just fine.  Over the next several years we remained dedicated to each other. Barry had a lot to love. She had a magical ability to see nuance in her surroundings and erupt into appreciation.

One day we were bobbing up and down in the deep water off the beach and she pointed out the little flashes of color reflected on the surface of the constantly moving water. I have a developed ability to see thanks to becoming sensitive through mentorship and being a visual artist. I looked to find what she referred to and sure enough, there it was. Little miniature flashes of a color that had no source, no doubt the result of some refraction of light taking place between all the amorphous elements involved.

Barry saw magic. Since she grew up with no playmates, she created her own that included fairies in a secret world. This propelled her to find subtle nuance in her surroundings that brought pure delight.

This magic propelled her in her profession as a psyche nurse. She explained that there was very little difference between the wackiness of the patients and staff.

I learned that her previous boyfriend of seventeen years never lived with her. He just came and went as he pleased. Since she never had a primary male figure in her childhood, this left a void where most women had desire for a life companion. This dynamic made my irregular inclusion in her life as normal as she had ever known.

Barry loved to join me at River Ranch. She put on her cowboy boots and fit right in on the dance floor. She also liked the long hair on orchestra conductor Andre Rieu. So, I discontinued getting my hair cut.