The Circus Hall of Fame was situated on the one-time home of several touring railroad circuses. Many artifacts remain from the historic winter quarters of this large circus conglomeration that resided here a hundred years ago. A circus fan aspired to make this a tourist attraction. He wanted live circus attractions among the old wagons and artifacts. A big top was erected next to the last of the remaining barns that at one time housed the animals. Another barn housed wagons, costumes, and had a sail loft where canvas production used to take place.
Now, a handful of performers were employed each summer to provide two shows a day. The single location for the summer meant a vacation from the travel regimen I was used to. I liked the idea of having a stationary place to work my performing animals but from the get-go, I discovered that the momentum and function of this place was fractured and would probably remain so through to the end.
By this time my animals had solid routines. I had appropriate costumes, clever choreography, patter and pratfalls. The mule act developed into a fun act that required the participation of the announcer as a straight man to support the comedy with the lines that I had written.
With rehearsal appropriate, John Fugate, the ringmaster, deflected my request by declaring, “We are all professionals here. We don’t need to rehearse.”
We entered into our performing regimen of two shows a day with John fuddling his lines as he read off index cards in front of the audience. The plethora of mistakes he produced proved frustrating to me as he missed crucial parts of the comedy. Fortunately, the high school horse act did not require his participation.
With the use of a live organist, I developed an interesting interlude for the middle of the horse act. After the first two segments of the routine and after the bow, I assumed a striking pose in the middle of the ring to acknowledge the audience. The announcer then invited everyone to participate.
“Please join Souveran the horse as he high-steps to the music,” John bellowed, “clap along as he dances for you.”
As the musical strains of the Mexican Hat Dance began, I had Sir walk sideways a few steps and at the right moment in the song, had him do a double leg extension coordinated to the music which prompted the audience to clap two times. Then, as the music resumed, we walked sideways the other direction and did it again. This was repeated four times to complete the stanza that resulted in a logical conclusion and good reception.
The conclusion of the act was next. By this time in his career a few elevated strides of the high trot occurred, followed by our now consistent canter work. After his halt at the front of the ring we bowed.
With the concluding announcement complete, we backed through the center of the ring. In front of the curtain at the back of the ring, we took another bow prior to our exit. In spite of the constant bumbling of the ringmaster, the grassy venue, permanent stables and luxury of two shows a day all summer, I had a wonderful opportunity to perform and enjoy my animals.
Some of the personnel at this place, starting with the director, were hopeless. They were retired fans who wore clown faces and had no clue about this culture. In spite of their pathetic contribution they still wanted to be treated like stars. The elephant guy seemed to resent being here. He had inherited an elephant from his father along with a couple of camels. In contrast to the exact efforts of most animal caretakers, his work ethic was sloppy. The elephant got loose one night and walked over to the water faucet and turned it on. In the morning the entire floor of the barn including my horse and mule stalls was flooded. I didn’t do anything wrong but I had to shovel out the mess his elephant created. He never did apologize or offer to provide replacement shavings. He just moped. He didn’t like anything about taking care of animals.
Late that summer his wife and daughter joined him. Little Dallas fell in love with my horse. She hung around and offered to help me groom him. I’d lift her up onto his back so she could brush his mane.
Often times after my act she waited by the back door. She knew after I dismounted, she could sit on him and get a ride while I lead him back to the barn.
Not everyone at the Circus Hall of Fame was dysfunctional. Circus animal training greats Vince and Pom Pom were here with their collection of tigers. The steady pace of loving animal care provided the heartbeat in the backyard. We were all used to the hectic pace of travel and one day stands. With ample time here for the summer, we all found extra activities to keep ourselves busy. Michelangelo Nock was here and his enthusiasm was infectious. Having grown up in this business, he displayed a flexibility and a regard for others that helped ease any tension that occurred.
I had spare time each evening and sought to develop new skills. I hired a tutor to teach me computer skills. I went into town to make friends. I went to AA meetings. My life had changed as the result and I now had nine years sober.
One Sunday morning I met a great guy at the Presbyterian Church and began to attend the weekly Lions Club meetings with him. Tom was amazed that I performed with my dancing horse and comedy mule act at the Circus Hall of Fame for the summer.
The Lions Club of Peru, Indiana met in the banquet room at a local restaurant every Thursday. During those meetings they searched for ways to benefit the community. I attended as a guest of my new friend Tom.
Among the activities at the meeting were sending encouraging notes in greeting cards for people we didn’t even know. Each member received three cards and three envelopes. A notebook with names and addresses of unfortunates were passed around for us to copy from. There were also announcements about others in unfortunate circumstances who would benefit from our encouragement.
During those weekly meetings the Lions considered new ideas to benefit others. When an assisted living home for those suffering from terminal medical conditions came up, they discussed possibilities. I had an idea. I volunteered to bring Betty the mule and perform for them. The plan was to work my comedy mule act for the assembled patients outside on the lawn and then take the mule inside and visit patients who couldn’t leave their rooms.
The Lions Club members welcomed this idea. This created a stir with most of the club except one, a curmudgeon who seemed grumpy about everything. Harold scowled at the idea.
The rest of the group asked about doing this little show and made a list of what was needed. Soon volunteers came up with a P.A. system, wooden stakes and ribbon to cordon off a ring area. They made plans to coordinate this event with the personnel at the facility and one member acquired a stock trailer to move Betty. This activity fit into my schedule after the matinee on an upcoming Sunday.
The entire club rallied to make this work. On show day several men arrived early to stake off a circular area for the ring and stretched boundary ribbon around the circle. They acquired chairs for the patients who could walk. My friend Tom became the announcer. He learned the lines of the straight man to support the comedy. On show day he became acquainted with the P.A. system while I showed Betty the venue.
Other club members went inside the facility to get our audience. They pushed patients in wheelchairs outside and onto the grass to completely surround the ring. When our audience was intact, we began our show.
Tom the ringmaster began with his introduction, “Ladies and gentlemen, we welcome you here today to our little show.”
“Introducing at this time,” Tom bellowed, “direct from California gold mining country, here to launch their career in show business, please welcome Gold Dust and the Old Cuss.”
I led Betty into the makeshift ring and waved at all the patients. Our routine began with liberty work. I had Betty trot around the ring, reverse direction, trot the new course a few rounds and then reverse again to a stop. Since there was no ring curb, we didn’t do the ring curb walk. Tom set the hurdle in the ring. I gave Betty the cue to lead off and she resumed running around the ring.
With the hurdle in the ring the desired response was obvious but she was trained to do otherwise. As Betty neared the hurdle she veered off and avoided the jump. I acted as if in disbelief. I feigned frustration. I gave her the benefit of the doubt. As she rounded the ring and came up to the hurdle the second time she veered away again. I acted miffed and took the whips in both hands. I bent them as if in frustration. As she neared the hurdle for the third time, I shook my finger at her and she jumped the hurdle to the delight of all in attendance. Tom was really having fun. Then just for good measure Betty rounded the ring one more time. As she neared the hurdle the fourth time, she veered around it again as if being mischievous. After I stopped her at the back of the ring, we took a bow.
Next Betty came to the center of the ring. While she stood next to me, I gestured to the audience as if I was going to have her do another trick. While I looked away from what she was doing, Betty kneeled and then laid down. While I made gestures to the audience, Tom called out to me.
“Hey Cuss,” he stated, “it looks like you may have a problem.”
I looked around and acted surprised to see the mule lying flat on the ground.
“I think she fainted,” Tom surmised.
“You are going to have to get her up,” he suggested.
I stepped away, scratched my head and acted as if thinking about what to do next.
Tom spoke up, “What are you going to do to get her out?”
I perked up as if a thought had occurred. I stepped over her, reached down and grasped one front leg and the ring on the bit in her mouth. I pulled gently. I inverted her onto her back. She soon had four legs sticking up. I straddled her while she was upside down to steady her. I took her front feet in my two hands.
“How are you going to get her out like that?” Tom asked.
“I’m going to peddle her out,” I responded and gyrated her front feet in twin circular paths as if they were bicycle pedals.
This generated a laugh especially from Tom who enjoyed every minute. I then laid her back down onto her side. I had to wait until he calmed down enough to remember his next lines.
“You’re still going to have to do something,” he blurted between laughs.
This was when I went into position next to her between her outstretched legs. I faked losing my balance, waved my arms and fell backwards over her and did a backwards somersault. This was her cue to go into the sit up position.
I got up and dusted myself off. Tom continued with the patter.
“Hey she’s sitting up,” Tom reported, “she’s sitting up.”
“Hey Cuss, she’s sitting up!” He was excited.
I scanned the situation and blurted out, “Oh no she’s not!”
“Well if she’s not sitting up, then what is she doing?”
“She’s sitting down.”
That prompted a groan from Tom and the audience.
“Cuss,” he continued, “you are going to have to do something to get her up.”
I stood at the front of the ring and scratched my head as if in thought.
“Hey Cuss, why don’t you just pull her up?” Tom wondered, “just give her a jerk.”
I went in front of her, lifted the reins up over her head and stretched them out in front of her in preparation for my next move. Two of the Lion’s club members had noisemakers and waited until my next move to add sound effects to the fun. I firmly planted my feet. Being careful to not hurt her in anyway, I exaggerated a gesture with my entire body that looked like I had given her a tremendous yank. The attempt did not produce any result.
“Give her another jerk,” Tom commanded.
I repeated my wild antic to no avail.
“And another jerk.”
I did it again.
“Another,” Tom repeated.
Nothing.
“Well Cuss, it looks like you’re the jerk.”
Tom paused for effect while he thought of another idea.
“Hey Cuss,” he continued, “why don’t you try to lift the back end up and get it even with the front?”
I resigned to this idea and shrugged my shoulders. I pondered his suggestion and moved into position behind Betty. I did a quick muscle-man pose to flex my muscles. Then I leaned over and placed my hands beneath her rump. I strained and made another gesture that coincided with the funny noise makers and a loud grunt.
“Try it again,” Tom said.
I grunted along with the funny sounds again.
“One more time”
Groan.
I limped away, stooped over, like I may have over-exerted myself. I walked clutching my back as if it were hurt.
“I guess that is not going to work,” Tom observed before he reminded me, “you are going to have to do something!”
He repeated, “you are going to have to do something to get her out of here.”.
At this time, I walked over in front of her. As if under pressure with frustrated anger, a thought came to mind. I began swinging my clenched fist in a big circle as if to hit her.
“NO! Cuss!” Tom intervened, “not that.”
I relaxed and stepped away.
“Hey Cuss,” Tom continued, “why don’t you think of something nice to say?”
I acted quizzical, as if I didn’t know what he talked about.
“You know,” he continued, “something nice. Like the magic word.”
I still acted miffed.
“You don’t know what the magic word is?” Tom spewed forth, “I bet the boys and girls know what the magic word is.”
He scanned the audience and shouted, “Don’t you?”
They responded as well as they could.
“Well what is it?” He yelled.
The crowd responded “please!”
I acted enlightened.
I moved from the position maintained throughout this portion of the act in the quadrant of her starboard side. My position in the ring was the cue for her to remain sitting. When I moved around behind her, I came into an area where she saw me with her other eye – the get-up eye. She knew to get up next but not until I gave her the cue to do so.
“On three everybody,” Tom shouted, “let’s say the magic word.”
“One.”
“Two.”
“Three.”
I placed my hands together as if to pray and bent my knees in an ask gesture as everyone shouted, “Please!”
Betty got up.
I stepped in front of her as if to take all the credit as the audience applauded. My posterior in front of her was the cue to give me a nudge with her nose.
I exaggerated being nudged out of the way and then spun around to acknowledge her being there.
“Now that you have said please,” Tom continued, “why don’t you say thank you?”
I pulled out the carrot that was in my back pocket the whole time and showed it to the audience. Then I gave it to Betty. That got a big hand. When the applause subsided, Tom turned to the audience with his question.
“Have you ever seen a dancing mule?”
I picked up the whips that had laid near the back all this time and got ready to lead-off again.
“Maestro please,” Tom gestured to the man with the music machine.
The music began. I used a wonderful orchestra piece for this part of the act that started with a little dainty sequence that implied a ballerina routine.
As Betty rounded the ring, at the right place I gave her the cue to waltz. The waltz was where she turned 360 degrees in her tracks. Betty loved to waltz. We repeated the waltz movement several times until the music led up to the beginning of the crescendo portion of the orchestra movement.
I stopped her at the back of the ring and gave her the command for the hind leg walk. She stood up as straight as a candle and took careful steps that resulted in her walking from the back of the ring all the way to the front.
The music culminated in a grand conclusion as we neared the front of the ring. I let her come back down and gave her the cue to bow. With her taking a bow, I styled to the audience for applause. When I gave her the cue to come up from the bow, I stepped in front of her. That was her cue to bite the rag attached to the back of my break-away pants. As she bit that rag, I pulled the buckle that released the securing Velcro closure. I stepped forward as the pants released making it appear that she had pulled them off.
The backside of my inner costume was made to look like long underwear with the flap on the back. The flap had the words the end stitched onto them. I became frantic as if embarrassed. I moved to the center of the ring and took a wide stance with my legs apart and my backside to the audience.
I whistled. That was Betty’s cue to come running. She came right at me and put her head down and ran between my legs. She scooped me up onto her back as she went. From that position – I sat on her back and waved – we rode out of the ring.
Tom gave our concluding announcement, “ladies and gentlemen there you have it.”
“The talented and entertaining personalities brought to you direct from the California gold mines,” he bellowed, “let’s send them off with a great big round of applause.”
There was no reason to be in hurry when the act was over. Afterwards Betty and I browsed and said hello to many of the patients in wheel chairs. One lady spoke up to me.
“I’d love to pet your mule but I have M.S. and can’t move my arms.”
I guided Betty close to her and placed her head on this woman’s shoulder. Betty seemed to understand and carefully laid her head against her. The lady wept with joy. The local newspaper cameraman captured this moment in a photo that showed up in the paper.
When the act was over, our plan was to take the mule into the care facility to personally visit the patients who couldn’t come outside to see the show.
By this time the Lions had dismantled the ribbon ring and put away the sound system. The army of caretakers pushed wheelchairs back into the facility. Those able to walk went back inside after they stopped to see the mule.
The Lions club members took bags of carrots into the facility and went into each room. They gave each patient a carrot for Betty. Betty would go from room to room and get a snack at each stop. This created excitement in the place. The Lions seemed to be just as excited.
When I led Betty in through the foyer to begin going from room to room, I was stopped by a woman who wanted to chat. As I stood and answered her questions, one Lions Club member saw this friendly rapport was holding up the works. Wouldn’t you know it. It was grumpy old Harold.
“Gimme that mule,” he demanded.
I watched as Harold gently led the mule down the hallway to get started. Sure enough, they disappeared into the first room. After a few moments Betty emerged with her new friend and went into the next room.
The afternoon went well. Betty enjoyed the tour of the place and all the carrots. This became a bonding experience for all of us, especially Harold.
I received the report at the next Lions Club meeting that the patients were still talking about the day that the little mule came, did all the circus tricks for them and even visited them in their rooms.
Overall, the summer tending my stock, performing twice a day, joining the community and making progress with other areas of my life qualified as a delightful experience. Right on schedule too. The largest RV dealership in the country had made it attractive for me to be their resident artist. This opportunity was priority. The severe incompetence of the Circus Hall of Fame provided a reality check; it got the desire to perform with the circus out of my system.