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The time spent in this lovely oak hammock became, not only a haven for creativity, but a gathering place for guests to be entertained while they waited for repairs to be completed. Others perused the new motor homes on display at this incredible destination, the largest RV dealership anywhere. Each day, many guests made the pilgrimage to the Letterfly painting pavilion to see what was going on. 

R.J. took a personal interest in my creative offerings. During his frequent walks around the property, he stopped and talked with me about what else we could do for the guests. I began to think in terms of new services in addition to personal murals for the back of the coach. Our ideas for entry doors became little dog portraits, gold leaf monograms and hand lettered inscriptions of all kinds. I also began to pinstripe cars and trucks and even create spectacular graphics to make the tow car match the rig. 

The motor home buying frenzy was on. Folks were selling their homes to become full-timers, those who lived in their coach year-round. Money was available to borrow and flowed like water. Jack and I enjoyed the crowds that flocked to see what was going on at this place. 

We started each day with breakfast at a nearby diner. His argumentative style of conversation took getting used to. Once I realized this was his style of relationship, I caught on and entered the fray. Soon, aggressive banter took place between us at the restaurant and became another source of fascination for the onlookers he thrived on. 

Curious people stopped by to admire the work that took place. Those were the days of painting plenty of eagles. This was partly due to the patriotic nature of the icon and also due to the name of the Fleetwood motor home flagship; The American Eagle.   

Sometimes they asked, “what did you paint yesterday?”  

During my thirty-year career, my mind remained occupied with imagining that which does not yet exist. I don’t try to remember what I just did. I look into the future to visualize possibilities and unique new goals. In an effort to provide a helpful answer to those curious admirers and to have a private laugh between us, Jack and I came up with a standard answer to their query about what we did yesterday. 

“An eagle.”  

We laughed. We figured we had a fifty-fifty chance of being right. 

Jack fortified his tough guy persona with stories from when he was a Dade County cop, Air Force guy, Bail Bondsman, Stock Broker and later as a car salesman. The larger than life episodes kept anyone who listened, gripping the edge of their seat. Jack was an avid and talented story teller.  

Although toughness permeated the surface, Jack had a heart filled with love and dedication for the many people, principles and activities he was immersed in.  

“My father told me long ago,” Jack revealed, “life is a little bit tragic, and a little bit magic. Cherish the magic.” 

That was the sentiment that graced his motor home and was the name of his book.     

Those days were fun. The art pavilion was a gathering place for the curious to see the creativity taking place each day and to engage in friendly banter with Jack. I was up on the walk plank with an airbrush behind a motor home all day. Jack sat in his folding chair in his jacket and shorts. 

Jack arrived to accompany me at Lazydays at the perfect time. His familiarity with how corporate throngs work and his confidence in this setting provided the perfect segue for me to find my way. He recognized my need. Jack became my big brother and coached me in regard to producing apropos behavior with the staff of the large corporation, maintaining a positive mentality, attitude and appreciation for my role in this situation.  

A little at a time, I entered into relationship with department heads. Each week I attended our class on customer service instruction, called CSI, taught by the founder. In that situation I received instruction and encouragement. The founder’s son Don Wallace taught rules for success, encouraged the use of common sense and reinforced our overall purpose – to make customers for life. 

  I acquired positive, ennobling concepts for practical thinking, the use of common sense and dedication to provide the customer with an outstanding product. We were taught to go an extra length with every task to make our customers experience something that would insure they wouldn’t think of shopping anywhere else.  

As I became comfortable in my role as resident artist and interacted with fellow personnel, I received inspiration for additional offerings. One employee mentioned an idea about my giving a seminar that would be an interesting value-added attraction for the guests to enjoy at Lazydays.  

I was inspired. I began to prepare information about RV mural art. I filled a few sheets of paper with notes about facts important to me. The inaugural seminar was soon on the calendar. As the time approached, Jack returned from another trip and planned to attend. Two couples showed up for my first seminar. Not being much of a speaker at that time, I simply sat down at the table with my guests and read the notes I had prepared. Jack slumped down in his chair and drew his hat down over his eyes. 

            When the seminar was over, he had something to say.  

He announced, “From now on I will give the seminars.” 

I was shocked. 

            “You can’t possibly do that,” I squawked, “you don’t know anything about painting murals on motor homes.” 

            “I don’t have to,” he boasted, “I can make up an entertaining seminar on the spot about virtually anything.”  

He continued, “I’ve been giving seminars on a variety of topics for years.”  

Confidence radiated from his being. He took a stance that invited further defiance. 

“It matters naught that I know nothing about painting a mural.” 

            I was about to enter the realm of having Jack  teach me the art of giving a seminar,  

            Jack aimed his creative mind at structuring a series of entertaining concepts to include in his talk about the aspects of motor home art. Fun was priority as well as an opportunity to enlighten and interact with the audience. He included revealing stories about being a mural customer himself to endorse the experience. He even handled getting the seminars logged onto the Lazydays activity calendar. Two of these talks took place each week. His seminars couldn’t help but improve.  

            Jack loved an audience. He soon made posters and taped them on the entry doors in high traffic areas, on bulletin boards and in the café. These posters announced the seminar he aptly named; “Rolling Art,…Why a Mural?”  

I was somewhat anxious about trashing up the dealership with tacky flyers, but my attempt to voice concern went unnoticed. The frenzy of his activity not only filled the classroom with curious RVers, but the seminar became the most popular and heavily attended of all that took place. I resigned my concern and joined the fray. I created attractive poster art for Jack to use that included his idea to generate even more excitement; “win a mural!”  

Jack poked fun at everyone that attended. He found out where they called home and made jokes about those places. Quick to laud the efforts of military veterans, a big part of his message included popular notions of patriotism and gratitude for the freedom we enjoy, thanks to the efforts of those in the military. 

            Jack’s seminar started with an announcement, “I am going to first tell you what this seminar is not going to be about. This is not going to be a situation where I try to sell you something. I am here to share with you the experience of having a mural on the back of my motorhome and how that experience adds to the fun of roaming across this great country.”   

To introduce his audience to what they would learn, he established a series of steps that used a clever visual aid on the chalkboard. He used MURALS as an acronym. Each letter stood for an important concept. He prompted his audience to guess each word and gave them a hint of what each letter stood for with humorous results.  

He encouraged audience participation for two reasons; one, he wanted them ready with ideas later in the seminar, and two; often their guesses became opportunities for funny retorts as he continued to poke fun at everyone. His example of humorous responses introduced me to an effective way to communicate to an audience.  

After he introduced the guests as to what to expect by having rolling art on their motor home, he explained the steps that went into the production of a high-quality mural. This was to produce savvy consumers. Then he introduced them to what they could expect from having a mural on their motor home, from the other drivers on the highway and their fellows at the campgrounds while they travel this wonderful land. 

            The seminar concluded with a contest. One contestant – usually a combat veteran Jack selected and got approval from the rest of the audience – was asked a couple of ridiculous unanswerable questions. The contest was yet another way to add suspense while Jack poked fun at the current popular television game show final answer. After the grand prize question was revealed – a super simple query – his guest won a certificate for some free lettering.  

            The enthusiasm Jack had for this task was epidemic and became part of the conversation that swept through the staff and the population that frequented this place. The best result of his efforts were the curious RVers who followed him out to the mural pavilion afterwards to schedule mural work. For that I was grateful.  

            The result of witnessing how Jack composed and handled this seminar provided me with a big boost. When Jack returned to Colorado in the spring, I began presenting the seminar. As the result of his example, I created a talk that fit my style; an entertaining and enlightening talk of my own.  

Things were hopping. Lazydays acquired an additional fifty acres. Expansion began. The main building would get bigger. Two hundred service bays were planned and construction of a giant campgrounds began. As the season wound down into the dog days of early summer, I headed north to pursue my passion 

Between rallies in the fall of the year, I returned a phone call from a man in Colorado.

“I want a mural of a majestic eagle flying over the Rocky Mountains,” I listened to a gravelly request over the phone, “on the back of my motor home.”

The voice continued, “with an American flag flying in the background.”

Then he added, “and I must have the caption Cherish the Magic underneath.

I visualized this image with the phone against my ear.

“I will be happy to paint that for you,” I replied.

We then discussed the logistics of getting this project done. He was coming to Florida from Colorado for the winter. I would do the work at Lazydays.

            I received calls such as this regularly. As Letterfly, I was in my ninth year as an artist with the specialty of painting airbrushed murals on motor homes. Jack heard about me in Colorado. Having frequented rallies all over the country, my reputation as the premier creator of high-quality artwork was established.

When my tour was over, I returned to Lazydays as the resident artist during late 1995.

The situation at this dealership proved to be right. I found an endless stream of folks who wanted beautiful murals to enhance the appearance of their RVs.

A few days later, my customer from Colorado arrived. He was amazed with this sprawling sixty-acre facility. Once he settled on his campsite, the work began.

During this embryonic time at Lazydays, I conducted my business the same way I did at the multitude of rallies attended throughout the previous summers, and as the resident artist at River Ranch during the previous eight winters. Wherever I found an opportunity, I set up my apparatus and began to paint. I started on Jack’s mural.

His motor home was parked in the shade of the trees in the camping area of the dealership. Curious couples stopped by to investigate my industry. This meant we had an audience. Jack began to pour forth a whole retinue of amazing personal recollections along with announcements about the mural taking shape. I discovered Jack was a gifted story teller. While he talked, he endorsed my product. I kept the focus of my attention on all aspects of the project at hand.

Jack was blunt. He had a salt and pepper beard with a physique that at one time was similar to mine but was now compromised due to a bone disease. He was stoop-shouldered with a hunch back but that didn’t stop his relentless drive to remain the center of attention.

From the start, I was impressed with his friendly banter, the manly references to God and country and the way he poked fun at his plight with bone disease. He referred to his stooped six-foot frame as an egg with feet. Jack traveled alone in his big motor home with a German shepherd named ‘Dawg.’

                The procedure for prepping a coach was the same as it had been for almost a decade.   First, I set up two step ladders and a walk plank behind the back of the coach. I cleaned and sanded the area to receive the paintwork.  I then taped paper and bisquine to protect the adjacent areas of the coach from the protective clear coat applied last.

I harvested reference pictures of all kinds while looking through nature and art magazines. When I discovered an interesting image, I ripped the page out of the magazine to file away in my swipe file. While in the development stage of this mural, I went to my swipe file and found the rocky mountain folder. Inside were images of snow-capped mountains. In the eagle folder, I found an eagle with wings outstretched in flight just as Jack had described.

Using these images as reference, I drew a scale drawing to establish my composition that would also include the caption ‘Cherish the Magic’ across the base of the painting. Once the sketch was complete and Jack approved, I proceeded to draw the image full-size onto the now ready back-end cap of the motor home.

Using the traditional skills of a sign man, learned as an apprentice in the seventies, I scaled up from the reference picture, drew an exact depiction using simple mathematics and a yard stick. The use of these techniques over the years resulted in the development of my ability to see what I am looking at and draw what I see any size. 

Once the particulars of the project were clear in my mind the work commenced. Jack’s conversation continued. Soon I became familiar with the great childhood he had in Fort Lauderdale along with tropical adventures that occurred as a teen. I also heard facets of the varied career roles that took him many places. He told exciting anecdotes. All were fantastic and some difficult to believe. With the steady stream of factoids, reminiscences, opinions and anecdotes that poured forth as I painted, I became acquainted with a being who loved to talk.

“I contain a plethora of superfluous information,” he bragged.

Jack was quick to share an opinion about virtually any topic that came up. I soon found out that it didn’t matter to this inquisitive, analytic mind which side of an argument he was on. What he loved most was the argument. At that time, I still lingered on being shy. I was cautious and wanted to make the best possible impression at this mega dealership. At first, I was meek about the bragging and boisterous banter he produced.

At Lazydays, I found an obstacle to production I hadn’t encountered before. Due to the tremendous amount of traffic in and out of this place, every RV parking space was designated for a particular length of time. If I had an opportunity for a mural but it occurred at the end of our guests stay on the property, they had to leave. I had no place to do the work.

While I worked on Jack’s motor home under the tall pine and oak trees in the guest camping area, he became familiar with this plight. I didn’t know it at the time but his analytic mind had begun to percolate.  Later, Jack became instrumental with the creation of a solution.

            When the mural on the back of his motor home was complete, to say he was happy would be an understatement. He was elated.

“I’m going to head down to Miami and hang around with my old cronies,” he announced.

He had been a Dade County policeman years ago and hadn’t seen his old beat in years.  I bid adieu to my new friend and he drove away. Then I resumed my duties around the dealership.

R.J. Wos had interest in my enterprise. He became familiar with the occasional parking frustration I encountered. He encouraged me to park the next motorhome in the patio area where the guests were served hot dogs for lunch. He appreciated the entertainment aspect of what I was doing. Soon, another motor home was on display for me to work on in front of the guests as they consumed lunch. This situation also helped to sell the next project. I stayed busy.

Two weeks later, I received another call from Jack.

            “Hey Dave,” he stated, “I’m planning a return trip to Lazydays.”

            “Great.”          

“There’s a seafood buffet nearby in Kissimmee,” He continued, “I plan to drive over there one night.”

Then he added, “you can go with me.”

“I’d be happy to go.”

When he got back to Lazydays, Jack told me about his visit to Miami. He went to the neighborhood where he grew up and saw some of his old officer friends. He told additional tales of manly adventure and about doing incredible deeds as a cop that established him as a legend.

While on the way to the seafood buffet, out of the blue he asked, “where are you going to watch the Super bowl?”

I hadn’t even thought about that.

He then announced, “you can watch the game with me in my motor home.”

We enjoyed an extensive buffet that night.

I was flexible in my role as resident artist and had the ability to include a companion in my professional routine at the dealership. On the following busy days Jack joined me wherever I was at Lazydays while I created art on motorhomes. While with me, he provided a relentless flow of conversation.  

Jack befriended a service writer. He soon had a free parking spot with electricity for the winter season.  A week later he asked if I wanted to accompany him to another buffet near Disney where he claimed he would eat his body weight in Lobster. Later still, he planned an excursion for us to Universal Studios. When Super Bowl Sunday arrived, I enjoyed his hospitality and the luxury of his coach while we watched the game.

During a lull in the game, Jack confided, “I’m having more fun hanging around you than I did with my old cronies back in Miami.”

At the dealership we became inseparable, almost joined at the hip. Jack lounged in his folding chair all day, nursed a diet Pepsi, and held court with anyone who walked by. Up on the walk plank between two step ladders, I entertained guests while I painted beautiful airbrushed murals on an endless stream of motor homes.  Jack provided running commentary. As we bonded, I shared with him my concern about the lack of a dedicated parking situation for my guests with motor home projects.  This caused occasional frustration in my role as resident artist.

            I told him about a letter I had written to management that addressed my need for a dedicated area in which to work. He asked to see a copy of the letter. The next day I showed it to him.

After his perusal, he asked; “you didn’t send this did you?”

Sheepishly, I revealed, “yes, I did.”

He winced for an exact theatrical moment of time. Then, as he thought about the letter, confidence surfaced. Jack calculated his next move.

After pause for effect, he announced, “I think I can fix it.” 

A competent writer, Jack revealed to me the story about a book he had written; a novel about a dog handler in Vietnam. Although he didn’t go to Vietnam, part of his military experience was being trained as a dog handler. Before he was sent overseas, his orders were redlined. He spent the rest of his Air Force career as a guard on Air Force One protecting President Nixon.   

Jack wrote another letter and showed it to me.  It started off by commending the brilliance of having an artist in place to not only serve the customer but create the premise of a unique destination which would help the overall business thrive. Next, he introduced the value of maximizing this opportunity to create an attraction for the guests to enjoy by designating a specific area for the creation of art. A place that would become one of the most memorable on the property.

The management of Lazydays selected the prettiest place on the property for my studio: a specific location surrounded by park benches and lush garden areas in an old oak hammock. I erected a carport roof for my studio. This lovely, quiet spot in the midst of large oak trees became known as the art pavilion, a special place in which Letterfly thrived for the next thirteen years.

“Nature is infinitely creative.
It is always producing the possibility of new beginnings”

Marianne Williamson

A New Beginning

      At the end of the winter season I went to Lazydays to embrace opportunity. Nine years on the rally circuit established my reputation as being the top producer of airbrushed murals. Lazydays made it attractive for me to set up shop at their new expanded dealership destination.

       I went through orientation classes and got familiar with the property. I generated new brochures and placed them throughout the complex. Plenty of traffic frequented Lazydays. I became busy. This giant dealership placed me in the big leagues but would soon throw a curve ball. I felt my way around that spring and soon realized I needed help. An advocate was on the horizon.

       At first, I was complimented. I had never been around a large corporation with hundreds of employees before and the energy at this place was intense. When I arrived to assume my role as resident artist, my first inclination was to be socially reluctant. I sensed a need to be cautious in spite of their welcome. True to my personality style, I remained immersed in my craft producing incredible painted images. I had fun with my customers and stuck to myself.

       I explained to R.J. about prior commitments – rallies that were booked and my annual Blue Bird excursion – I agreed to return for the upcoming season to create murals as their resident artist. After another summer on the road, I returned to Florida with my horse and mule. I parked the rig nearby at Gee Gee Engesser’s farm and had a short daily commute to Lazydays. This opportunity opened up a new chapter in my life. I now had a place to thrive and be blessed in countless ways.

By this time demand for airbrushed murals on motorhomes had reached epic proportions. I stayed in a work frenzy every time I landed in a group of RVs’. I had an efficient system for accomplishing the work by this time. I carried seven step ladders and three stretch planks. Because a rally was typically four days long, I wanted to clinch four jobs and get set up behind four motorhomes right away. Four projects partially started insured their commitment. Then I efficiently completed them assembly-line fashion. But I had to hustle.    

The RV dealerships at these big rallies were just as busy. The motorhome frenzy had begun. Rigs were traded in on new ones and the sales staff in golf carts went everywhere. Several times I received a hand signal from one man in particular on a golf cart. 

“Hey,” he shouted, “I want to talk to you.” 

I recognized him. I had seen this guy before at several of the rallies I attended but we were always so busy we never did get a chance to talk. I found out later that he was with an RV dealership in Tampa called Lazydays. I also learned Lazydays was moving from their original sales lot to a huge piece of property outside of town.   

Near the end of the winter season in 1994 at River Ranch I received a phone call. This same man from Lazydays wanted to talk to me. When my winter gig was over, I drove up to Tampa to meet R.J. Wos.  

RJ gave me a tour of the sprawling dealership complex under construction and I listened to his pitch. He explained to me that the sales staff grew every year and populated an acre of cubicles. The reception area was flanked with finance, insurance and managers’ offices. The service department boasted a hundred service bays.  

There were class rooms for product representatives, a lunch room and a comfortable waiting area for the guests who populated the interior of the main building. The outside had a labyrinth of new product display areas, camping spots and parking. Lovely gardens surrounded the inventory lots where hundreds of new motor homes and tow-ables were on display.   

The goal of the founder was to make this a one-stop RV destination with everything you could think of for an RV available on the property. Having the ability to get a custom painted mural on the back of your motorhome was part of his vision. R.J. wanted me to bring my artistic services to Lazydays and make this my home. All the stops had been pulled out to make this a fun place and they wanted more. RJ wanted me to start right away.  

I had made a commitment at River Ranch but things were changing. When the promotion company left, they handed the property management duties over to the property owners. The entire dynamic changed. The dude ranch became just another restricted community. Differing agendas between lot owners promoted bickering. I still had work to do but now, if one person had an issue with any aspect of my activity there would be a showdown in the street.  

Someone had an issue with my horse trailer not having an RVIA badge on it. That unleashed a flurry of rhetoric. I was forced to hire an RV inspector to make sure my rig met specifications. After his inspection he assured me that I was being exposed to ‘bullshit.’ There was nothing wrong with my rig. 

Barry enjoyed spending weekends with me. One evening we wound down while enjoying our meal in the Branding Iron restaurant. I let my fork sink into my slice of German chocolate cake. As I let the flavor steep into my taste buds, the security officer came into the restaurant and up to my table. He announced that the golf cart on my lot was parked illegally with one tire on the grass. My heart sank. I withdrew. The feeling of elation evaporated on the spot. 

“Don’t shut me out,” Barry put her hand on mine.  

She reminded me of her presence.  

Volleys of hurtful attacks went back and forth between all my colleagues at the Ranch – all the result of fear. The ranch sank into a dark period of neglect, bickering and confusion. Thank goodness another door was opening.  

The future for River Ranch looked bleak. The Hey-Day of River Ranch was over.  The developers who hyped the conventions, rallies, fly-ins and get-togethers were gone. The electricity they brought to this cozy Dude Ranch was now but a memory. I remain thankful for the many years of opulence and creativity and the opportunity to complete a large body of airbrushed work on motor homes. My exposure at River ranch served to establish the name Letterfly in the RV community. Working in this luxury setting was an important stepping-stone for an emerging artist. 

The indelible mark made by the quartet of bachelors I was part of remains. I am grateful for the richness that friendship brought, a richness unsurpassed by wealth and longer lasting than even monuments of stone left in the desert.  The gratitude that radiates from my being to this day is testimony enough to my years at River Ranch. 

Opportunities to perform were scarce in comparison to the demand for airbrushed artwork on motor homes. My life with the horse and mule between periods of work frenzy, settled into something that resembled a hobby. During the summer, my animals were up north in Michigan and during the winter they were with me in Florida.

By this time, due to encouragement by Dorita, I began to work spring and fall – before and after River Ranch – with her protégé in Gainesville, Florida.  Kathy Daly provided training for my horse in addition to the riding lessons started by Dorita. Kathy’s farm was a lovely wooded area filled with old oak trees. The situation at Kathy’s stable offered lots of camaraderie, due to the abundance of horses, students from the University of Florida and the nearby horse show facility called Canterbury.

Kathy had the distinction of being the trainer and dressage rider of a famous horse. Mistie’s Twilight is the title of a book written by Marguerite Henry. The true story is about Dr. Sandy Price and her children who acquired a horse at the Chincoteague pony sale.

With Dr. Sandy as her patron, Kathy trained Mistie’s Twilight into a dressage horse. This talented duo scored high at all the regional dressage shows. They eventually achieved the level of Prix St Georges. Several times during the years I worked with Kathy, I rode Twi who also became one of the Breyers Horses – plastic statues of famous horses. I enjoyed many moments observing the harmony of Kathy on Twi as they prepared for another dressage event. Observing advanced horsemanship accelerated my appreciation and awareness of the skills utilized.

 Souveran had a friendly personality and proved to be a playful escape artist. Upon settling into a stall, he first investigated the integrity of the fastening device on the door. A sliding latch he could reach with his lips was open in a short time. Having escaped, he found grass nearby or went directly into an abundance of girls to receive affection.

The criteria for my lessons was suggested by Dorita. Under Kathy’s watchful eye, my command of this horsemanship art form continued to develop. Training sessions with other horses often coincided with my being on horseback. Kathy and I rode in the arena together. We attended to her hand on particular tasks on our horses while we observed, reported what we saw and interacted with each other with jocularity the whole time. 

Dorita had a patron near Kathy’s farm with a guest house. She occasionally traveled up from Sarasota to teach. When in our area, Dorita came to Kathy’s to observe our progress and reflect.

One of my all-time favorite memories occurred one picture-perfect autumn day in the shady setting at Kathy’s stable. In the soft pattern of leafy shadows, the sandy arena under tall trees provided a picturesque place for our riding to take place.

At an observation bench at one end of the arena, Dorita sat flanked by Kathy and Wendy, the tall event-rider who ran Canterbury. My observation point was on Souveran. I demonstrated my progress to my mentor.  I still recall those beautiful ladies beaming up at me with shining faces. They looked up with affection and awe during that special chapter of my life. The growth taking place in that oak hammock was evident to all of us that day.

Through an agent I found an interesting opportunity to perform with my horse and mule on a five-week circus tour of Quebec. I signed up for what proved to be an exhaustive tour. The first part of April, my entourage left Florida. The weather cooled with each mile driven north.

The tour started east of Montréal mid-April. On my way to the first town I saw ice still on the lakes. Like the other Canadian tours, this circus utilized Hockey arenas abundant throughout the province. Being surrounded by French-speaking people exposed me to extremes they have a reputation for, being rude and unkind. But at the other end of the spectrum, I found many to be kind and a fun-loving people. 

I became part of a troupe that included the usual attractions for an indoor show. We had trapeze, magic, jugglers, a dog act, plate spinning, trampoline and Gary Sladack with his chair stacking act. The tour went first through the farm country of central Quebec and wound around the capital of the same name. Then the show went east on the mainland to the easternmost city. Mataine proved to be the most boorish place on the tour.

The entire show was loaded onto a ferry boat mid tour. We sailed north across the St Lawrence Seaway to continue our trek. The hour and a half long boat ride had an interesting highlight – a whale sighting. The trip continued northeast to Sept Isles, or seven islands, as our easternmost destination.

This season became a man-killer because we showed a new town every day, seven days a week, with an average of a thousand miles per week. A pace like this was hard on everyone. Three weeks into the tour, I was rattled mentally, physically and emotionally due to these demands, plus I was away from my sobriety group back home. I knew an AA meeting would help. Hopefully I would find serenity with my fellowship here in this strange country.

While in northeast Quebec I looked up the number for a local AA group. I wanted to attend a meeting close-by and called, only to find an answering machine with a message on it in French. Not knowing what else to do, I left my request for help using English. I hoped for the best. I found out later that the lady who retrieved the messages spoke no English. She had to scramble to find someone to translate my message.

When my request was finally understood, they were able to call and gave me the address of a meeting. The gathering ended up being in the building next door to the arena where the circus played. I was relieved. I could walk. I found the group. While I sat in the setting around a table, I listened to a language I did not understand, I was none-the-less connected to the others who sought relief from our affliction. I was relieved. I found an hour’s vacation from all my concerns.

The tour went north. Although the May weather was warming, occasionally the sky spit cold rain at us. Conditions between the performers in the backyard were not ideal.  The management did not utilize the customary parking privilege system employed on most circuses. The result of this lack was a first-come first-served hap-hazard formula that pitted performer against performer in the backyard.

Every man for himself further aggravated emotions taxed by the rigorous man-killing schedule. Many times, I arrived to find rigs parked in disarray that completely blocked reasonable access to the door that the animals had to use. I then parked a block away. I was on my own until show time.

The routine I presented with my horse was abbreviated due to the lack of proper footing in the arenas. They put carpet over the surface – concrete or ice. Souveran wore clamp on rubber boots for traction. We did no canter work. We did trot and lateral work, the three-step, march, backwards double three-step, bow and camel stretch. I invented the box-double-dance-step, a new part of the routine. This addition to the routine encouraged participation from the audience and proved to be a crowd pleaser.

The box double dance step began with us standing in the center of the ring.

“Clap along with the horse,” the announcer introduced the concept of audience participation, “as the horse dances to the music.”

The organist played a highly recognizable hat dance riff and we side-stepped to one side and produced two foreleg strikes coordinated with two staccato music notes. Then the riff repeated and we moved the other direction and concluded with another two leg strikes in time with the music. The sequence utilized four stanzas and concluded with a chord and a style.

 The lack of a good place to stable the livestock during this tour due to long jumps, the weather and unsuitable parking lots made the trailer an almost full-time stall situation for my stock. Betty and Souveran were getting cranky from not having an opportunity to lie down in comfortable bedding.

Way up north, beyond the 49th parallel, we played at a school where Eskimos and Indians lived. Although very poor, they enjoyed our show. Then the tour headed west towards gold country. I saw spectacular scenery on the longest jump of the entire tour, but the frost heaves made travel painfully slow.

As the rig hit a regular rhythm of ba-bump ba-bump ba-bump, the sheer numbers of those painful bumps – due to the length of the jump – became a form of torture that drove me mad. This ordeal was sort of like getting kicked to death by rabbits. I had no alternative except to press on at a slow pace. The slow pace elongated the excruciation.

Halfway through that grueling trek, at a truck stop out in the middle of nowhere, I saw Gary Sladack, the trampoline artist, pull in behind me. I zeroed in on him in my twisted mental state and spouted off in an attempt to get some relief from the mental frustration. Kind hearted Gary let me vent, and after breakfast, we continued on our way.

In an extreme northern location, halfway between towns, a swift river interrupted the highway. This locale had been assessed as being too difficult a place to ever build a bridge. Ferry boats carried traffic across this raging river. The circus rigs were loaded one at a time onto the boats. When we left the dock, the captain gunned the accelerator and steered the craft upstream. The swiftness of the current caused the path of the boat to make an arc like the path of a howitzer across the river. As I watched this madness, I realized the level of skill such a feat required. We arrived on the other side at the dock built to receive the trajectory ferry. While making the passage, one of the sailors told me about how much ice accumulated on the ferry during the winter because this service continued year-round.

In gold country, near Val Dor, a young French-Canadian girl was hanging around after the show. She displayed interest in my horse. Soon the prop boss, who spoke both languages, appeared with her and served as a translator. She wanted me to go with her. I was complimented and hoped she wanted romance.

We walked through the city streets to a Casbah. Instead of going inside, we stood out in front. I wondered what was going on. Soon a car pulled up. We got in. The night time ride was mysterious, and due to the lack of ability to have a conversation, I continued to wonder what she had in mind. Eventually we pulled up to a large farm complex. As I stood in the frosty illumination of the yard light at one end of the barn, she went inside for a minute and reappeared with a horse.

She then went into verbal gyrations with an unknown language as she attempted to communicate to me something that involved this sleepy animal. She waved her arms and produced a flow of a beautiful language that I concentrated to no avail to understand. I finally decided that she was challenging me to show her how to get that horse to do all the things I had my horse doing.

                The bizarre nocturnal experience became even more ridiculous when I began to lead her horse around in a circle in the dark and attempt to communicate with her, as well as possible, using gestures and words that only meant something to me. Although, my understanding of the complicated process of making a dancing horse was available on that cold starlit night, I was using a language that she clearly did not understand.

After this nighttime rendezvous with my cute French admirer, the grueling pace of our tour continued. We cautiously made our way through moose country toward the capital, Ottawa. The performing locations in this urban area contrasted greatly with the venues in the extreme north. Grand arenas for larger crowds made our little show look good.

An amazing thing happens between man and horse when you take the horse away from the barn. Every time I unloaded Souveran from the horse trailer, the scenery looked different. Everything he was familiar with was gone in this constantly changing environment. The particulars of the venue, although they contained similar basics, had different characteristics. The situations that occurred during each performing routine in a new location each day were varied.

The stimulation of the ever-changing variety finally got the horse to the point of non-resistance and a bond developed between us. The only constant presence in his life was me.

My role in his life was to be a source of consistent guidance, love and encouragement. Trust developed. Even though I mounted up and pointed him towards the ever-changing, my confidence helped him settle into trust. He had a good work ethic. We developed the good nature of a true friends. I refer to this dynamic as connection. Every living being has, deep down inside, a desire for connection. I found it first with horses.

I must be careful when I attempt to communicate this real to me, special concept to others who have never taken a horse out of a typical situation. Most people cannot relate to the experience of becoming true partners with an animal, or empathize with finding a silent, unspoken bond. Souveran and I had an almost spiritual connection. He trusted me during all aspects of our life together. Love influenced all of our behavior with one another.

I hope you as the reader can appreciate just a fraction of the idea that each moment we were together was filled with regard and wonder. I gently talked to him and he responded with mellow nickers and nudges. I often think that the relational experience that happens with a horse may be a valuable, qualifying prerequisite for the complicated relationships that involve people. I have tasted true bonding. I have enjoyed union with a horse. I know strong connection with another living being is possible.  

Around Montreal, the venues were closer together with short jumps. We finally had a chance to catch up on our rest. The weather warmed up and at the conclusion of the tour, a moment of togetherness occurred amongst the performers. We all laughed, breathed a sigh of relief and were glad this grueling tour was over. Then a long jump occurred; the trek back into my role as a motorhome airbrush mural artist.

This show biz diversion took place at the same time my reputation in the RV industry gathered momentum. Letterfly was rapidly becoming established as the top producer of high-quality airbrushed murals on motorhomes.

Christmas time in Sarasota always looked different. My bi-annual visit to work with Dorita allowed me to fit into other situations in this city I have grown to love. On my quest for spiritual enlightenment, I found the Unity Church. My friendship with the pastor led to a surprise occurrence during the service on Christmas eve. I usually sat near the front. Prior to the beginning of the service the minister came down to where I sat.

“Dave,” Don began, “it would be okay for you to sit over there next to Barry.”

He gestured towards a woman in my row sitting alone. I got up and moved to her side and sat down. She was a tall blonde with an asymmetrical haircut. We sat side by side during the service and enjoyed the traditional holiday inclusions.

When the service was over, she turned to me and asked, “would you like to come over for Christmas dinner?”

Thus, began my friendship with Barry. The next day I drove through the luxurious barrier islands off of Sarasota to the northernmost called Anna Maria Island. I found her house nestled between trees across the street from the homes on the ocean.

Her quaint home was filled with antiques and the setting at the dining room table reflected her connection with opulence. The half dozen guests included her daughter and husband and other close friends. I discovered later that her boyfriend of several years had also been invited.  Barry told me later that she wondered how she would explain my presence. But he never showed up.

Barry and I merged through this friendship into coupledom. Barry was fifteen years my senior. She had grown up next to Mobile bay in the affluent Daphne, the granddaughter of importers of Azalais from Japan. Her mother and father were never part of her childhood. She was raised by her aunt and grandmother. With me on the road most of the year, our relational pattern became only occasional access to each other. This suited her just fine.  Over the next several years we remained dedicated to each other. Barry had a lot to love. She had a magical ability to see nuance in her surroundings and erupt into appreciation.

One day we were bobbing up and down in the deep water off the beach and she pointed out the little flashes of color reflected on the surface of the constantly moving water. I have a developed ability to see thanks to becoming sensitive through mentorship and being a visual artist. I looked to find what she referred to and sure enough, there it was. Little miniature flashes of a color that had no source, no doubt the result of some refraction of light taking place between all the amorphous elements involved.

Barry saw magic. Since she grew up with no playmates, she created her own that included fairies in a secret world. This propelled her to find subtle nuance in her surroundings that brought pure delight.

This magic propelled her in her profession as a psyche nurse. She explained that there was very little difference between the wackiness of the patients and staff.

I learned that her previous boyfriend of seventeen years never lived with her. He just came and went as he pleased. Since she never had a primary male figure in her childhood, this left a void where most women had desire for a life companion. This dynamic made my irregular inclusion in her life as normal as she had ever known.

Barry loved to join me at River Ranch. She put on her cowboy boots and fit right in on the dance floor. She also liked the long hair on orchestra conductor Andre Rieu. So, I discontinued getting my hair cut. 

I spent nine years solid living alone on the road chasing motorhomes. Opportunities to create one-of-a-kind murals on motorhomes took me to an endless list of new places. My route went from River Ranch each winter to a multitude of motorhome rallies across the country from Michigan to Virginia, Missouri to Georgia and back again to Florida. At these get-togethers I met people who invited me to travel to their homes and businesses to create murals on their motorhomes. I enjoyed occasional quiet time with my horse up north in South Haven during the summer or down south in Sarasota near my circus friends.

Having the ability to place myself into the next opportunity that came along was a big reason for the success I enjoyed but was not the only one. What must also be apparent by now is that serendipitous events and gracious people influenced the twists and turns of this interesting life I have been blessed with.

One goal that just wouldn’t go away was performing with the circus. I always kept one eye out for quality circus companies. In New York City, a performing troupe started long ago to perform at the Lincoln Center under a big top each winter. The Big Apple Circus produced a unique program with quality acts for an equally impressive urban audience.

The increasing ability with my performing horse attracted the attention of Katja Schumann of the circus horse-training family from England. She presented several horse acts on the Big Apple Circus, including her dancing horse. She visualized producing a pas des deaux – two riders on two horses – as one act for the upcoming season. She wanted to talk with me about doing this.

When the Big Apple Circus was at its closest point to my tour, I was in Georgia. I planned to go and talk with Katja when the annual Blue Bird Wanderlodge Rally in the Valley was complete. This gave me an opportunity to give my latest acquisition a shakedown. I drove my improved Vanagon with the rebuilt engine and new paint job from nearby Columbus, up to Atlanta to meet Katja and to be her guest on the circus. My friends, Buckles and Barbara Woodcock had their elephants on the show. They also had a bunk in the cab of their semi where I could sleep. Alas, I had found another adventure.

I found the big top set up in a park alongside the river that threaded through an area of town. Then, I found a place to park. In the backyard of this big tented show I found the portable stable tent for the half dozen horses used for liberty presentations and Katja’s dancing horses. I fit right in to this familiar situation. As her guest, I enjoyed orientation with the horses. As show time neared, I helped as a groom until time came for me to go into the big top and enjoy the performance.

Her performance entered the realm of art, with elements not necessarily part of traditional circus entertainment or classic horsemanship, similar to how ballet tells a story through dance and music. Part of her act had two gentlemen in formal attire sitting at a table in the ring sipping tea. At a crucial point, she and her horse jumped over their table as the actors looked startled.

Later in the show, her liberty act of six horses worked in the ring that included a theatrical storefront with doors and windows.  During the routine, the horses went behind this prop, found a window to stick their head through and looked at us. After the prop was removed from the ring, the liberty horses demonstrated classic moves from this genre of the circus arts.

Between shows, I enjoyed one–on-one with Katja and her horse. Her style of riding greatly contrasted with what I had learned. Her horse commanded a more freewheeling style of moving around the circus ring since jumping, spinning, and the rear was part of her routine. My foundation with the classic seat gave me an advantage on her horse. She welcomed my demonstration and we shared ideas for our potential duet with horses.

Our conversation continued after the interview. She was hopeful about the upcoming season but had a concern. The Big Apple Circus was becoming sensitive to the emerging animal rights voice. Some activists were promoting an agenda for stopping the traditional part of the circus where animal trainers enrolled admirable behavior from their charges. Their efforts used ugly references for what happened to the animals not based on the truth. Because of that emerging concern, the show was leaning in the direction of having no animals in future performances. We vowed to stay in touch. I was naturally excited. Accomplishing a horse duet with her would be an extraordinary feather for my cap.

At the end of the day, I climbed into the sleeper bunk of Buckles elephant semi. I slept soundly after that intense day. Rain came down in the middle of the night, I was awakened in the morning by a rapid knock on the side of the truck.

“Dave! Get up!” Buckles son yelled, “there’s been a flood!” 

I looked out and saw Shannon standing in two feet of water. After pulling my pants and boots on, I jumped out into the water. I sloshed toward the high ground. I saw the area of the backyard, where the elephants and horses were stabled, had standing water. All the sawdust in the horse tent was soaked.

                The handlers and grooms were busy moving and calming the animals who had their routine disturbed.  Some water even reached the sides of the big top that was on higher ground. The water receded just as fast as it had come. Apparently, a thunderstorm upriver had triggered the sudden rise in the water level.

The grooms got busy and shoveled out the mess. Soon fresh sawdust would be restored and the normal feeding would resume while canvas, trunks and props were dried out. My original plan was to head south this morning. This reminder of the reality of life on the road punctuated what I already knew with a fresh reality.

I thanked my busy host who was now distracted while getting ready for the matinee. I jumped into the Vanagon to return to the Blue Bird company where a multitude of projects awaited. As I drove away from the natural disaster site that would be cleaned up by show time, I had another reminder of the vulnerability of the traveling showman.

My life changed as the result of embracing the design for living as taught by Alcoholics Anonymous. I have Mary to thank for encouraging me to attend. In sobriety we found something in common. She found a new life and although we didn’t succeed as a couple, she remained interested in my life as an artist as it continued to unfold.

During occasional conversations with Mary, who became a journalist, I had the idea of hiring her as an advocate to research and write an article for the Family Motor Coach Magazine. After having a conversation with the editor, she received a commission to write this article about custom paint on the exteriors of motorhomes, especially mural artwork.

My marketing mentor Robert Maxwell Case suggested the strategy of including other top names in my field so that Letterfly would be associated with that group. I provided her with those names. Her article included all the premier producers of high-quality paintwork.

Paint jobs for upper-end coaches were produced by specialty service providers. In those days all spectacular stripe work on motorhomes was hand-taped, hand-masked and hand sprayed. That was why only high-end coaches had spectacular paint jobs. One RV manufacturer had an in-house artist who produced production murals on the assembly line.

Mary included Letterfly as being the premier producer of custom one-up works of art. She wrote about Letterfly being unique in this group as an artist who lived the RV lifestyle on the road while creating these murals for Ma and Pa USA.

My niche as explained in her article was due to my gift with people and art. Letterfly used the interview process for inspiration for the perfect idea for each mural. The story went on about my freehand talents as a lettering painter, gold leaf gilder and producer of spectacular vistas of all kinds. The article helped to cement the name Letterfly in the Family Motor Coach Association readership and across the RV industry.

The new one-ton truck elevated my ability to serve on the road but I had some loose ends. After the busy winter at River Ranch prior to my annual tour, I needed to attend to a tire vibration problem. While getting the tires balanced, I had some time to kill. I walked across the street to browse vehicles in a car lot.

I saw a blue Vanagon sitting in the back. Long ago I learned the first thing to inspect on a vehicle. I went up to the van and crawled underneath to look at the body and under-gear. I found them to be clean.

I went to the sales office to inquire. I discovered the van had sat on the lot for so long they were getting ready to take it to the auction.

I purchased the Vanagon that day. I didn’t need it but was inspired to start to process of making another work vehicle. There was no hurry to get this done since I was already busy and had a great bus to use. I have used VW busses my entire career.

The first step was to take this Vanagon to the VW shop I liked in Sarasota to get the engine rebuilt. When the engine was complete later that summer, the van went to a body shop to receive a new paint job.

The project of making this van into an efficient work vehicle took several years. I had a clear idea of how to rack the interior for my supplies due to having worked out of other busses to create sign work. Now I specialize in airbrushed murals. The procedure and the materials used had changed. I had additional equipment, paints and a huge assortment of glass bottles for the specially thinned urethanes used for these works. I kept in mind the efficiency learned from the circus combined with awareness of the typical motions made while preparing paint. This information influenced how I arranged the custom drawers I had built.

Also, inside, was an area for the air compressor, electric cords, air hoses, magnetic tool strips and special storage places for folders and road maps. At the time I did not need this Vanagon. Being a good showman, I took into consideration the possibility of an unforeseen tragedy. Having a replacement work vehicle in the wings made good sense.

When the Vanagon was complete and ready for decorative paint, I wanted the square shape of the van softened with a gradual shift in the two-tone paint job. Having the bottom yellow and the top white with a soft spray transition between colors accomplished this goal.

I wanted a classy look for the exterior artwork. I took a full week to carefully paint what looked like marble with incised letters that placed ‘hand painted murals’ down each side.

The effect was stunning. The finished van was efficiently racked to work out of and the clean exterior artwork conveyed quality.