The Bannerman

The Bannerman

Advertising in any proximity that the locals gather is a strategy many businesses utilize. A sense of community dedication associated with civic groups is created with these gestures. Hand painted paper signs with the names and ads of local merchants hanging in the big top is one way of making extra money around the traveling circus. Becoming the banner salesman on the Royal Bros Circus season of one day stands in 1973 was an enterprise that required my sister’s participation to fit into our routine. Our custom was already up early each morning. Paula would wake me and crawl into the cab of the pickup to resume her sleep while I drove to the next town. When we arrived at the next town, I would jump out of the truck downtown with my steno pad and begin to visit the merchants in all the stores. Paula would then drive the pickup truck with camper pulling the calliope trailer to the edge of the show grounds where the big top was being set up. There she would recruit the canvas boss to drive the rig into position on the lot near the back door of the tent.

At the beginning of the season, John Frazier gave me a spiel to use and sent me downtown to do my best. I simply found the decision maker in each store and rattled off my memorized pitch, wrote down the particulars of each sign and announcement and collected eighteen dollars for each one. Downtown, my role took me in and out of each store and business to give the spiel for buying a banner ad that would hang in the big top. The accompanying announcement would give merchants presence during the afternoon and evening presentation of the circus. I was learning presentation skills and also how to get around the employee in charge of intercepting disruptions. I learned to not disclose my purpose until I got to talk to the boss. As the circus banner salesman in a new town every morning, I had the opportunity to meet an endless stream of interesting people.

In Perth, at a candy store, I entered an old-time glass store front through a heavy wooden door that triggered a bell that rang each time it was opened.

After listening to my memorized spiel, the elderly woman who otherwise beamed in response to my presence responded with “I’m not going to buy one of your banners.”

After asking me about my role with the circus, I was then invited to listen as she told me about herself and sat down at the piano. Prior to World War I she had been a piano player for the silent films shown in the local theater. Emotion, drama, excitement, danger and elation were communicated through the flavor of the music created by a live piano player in these theatres. As she played, I heard these examples of how music enhanced this genre of entertainment. My mind was transported to a time when this was state of the art. During the war, she became a bus driver for the war effort and when the war was over, talkies had arrived on the scene. She had to pursue another vocation. This was just one of the many encounters with interesting people that imprinted my heart.

 While I was in town selling banners, Paula had one duty during set up, and that was to take two pullies with long loops of rope and snap them into the lace lines of the big top while it was going up. This facilitated hanging the paper signs later, and was a duty that forced her out of her shell to interact with the crew during set up.

When I got back to the lot with all the orders, I had to scramble to get the rig backed into the tent and the drums set up. Paula got busy painting signs on large pieces of white paper with a shoe polish applicator and hung in the big top before the show.

Paula never did become an enthusiastic showman, partly due to her reclusive nature and partly because I had become a hot-headed teenager who had never learned to be gracious as we attempted to get all these tasks done together on a daily basis. Perhaps I was following the example of our father’s strict perfectionist manner of wanting everything done just right, and that added to the already frustrating situation of her being in the turbulent outdoor entertainment business.  All I could see was the perfect way it could be done.

Our comfort was at the mercy of the weather and plagued with egoic whims, moods influenced by situation and selfish ambitions of others, which was more of what we had found on the playground of our youth, yet on a grander, rawer scale. The rigors of one day stands, relentless demands from me and the multitude of twists that occurred in this turbulent lifestyle began to wear on her. Something in my sister had been hurt. She could not show enthusiasm. She remained frustrated and became referred to as poor Paula amongst my trooper friends.

One morning after having a successful series of banner sales, I returned to the lot to begin with the process of setting up and getting ready for the show, but I could not find the rig on the lot anywhere. I asked the canvas boss if he knew anything, and he sent me to see the elephant man.

When I asked Dick, he said, “The rig is over there” and pointed north of the lot.

So I began to walk.

About a mile from the lot, I found my sister completely frustrated, sitting on the ground. The truck was stuck up to the axels in someone’s front yard. Apparently while driving the rig from where she dropped me off downtown and heading for the lot, she missed the entrance. Thinking she could just go around the block, Paula continued down the road and instead found it went straight for miles with no place to turn around. Exasperated, she pulled up someone’s driveway and attempted to make a big loop in their front yard. But the lawn was soft, and the truck sank up to the axels.

When I got there, I was not the loving, supportive brother she needed at that low point in her life. I became a hot head and screamed and yelled at her. I had to hike back to the lot and recruit the help of the elephant to pull the rig out of that situation. As I look back at my behavior that day, I realize that my response did more to damage my sister, who already had the tendency to shut down and withdraw. That event caused her to retreat even further into the security of isolation. If I had it all to do over again, I would have become comforting, compassionate and lovingly explained to her that we all make mistakes. The damage of that event set the tone for the rest of our lives. My sister never saw an admirable trait in me from that point on. When I did see her years later, warmth and regard was gone.

Holding a grudge seems to be a sin of our father, who had his front teeth knocked out on a family water ski excursion by his brother (interestingly, who became a dentist). Making amends or entering the procedure of forgiveness, as taught by Jesus, was not exampled in our family in spite of our father being a minister. Resentment that persists can become depression.

After an otherwise busy and fun summer season across picturesque Ontario, we had much to relish and savor from our adventure but a contemptuous not knowing for both of us, forced self-reliance to the front and we grew apart. My sister and I survived a turbulent childhood not knowing safety. We were exposed to a vast spectrum of behavior coming from others. We began to prefer a smaller circle of influence. At the end of that season on the circus in Canada, we trucked back to the Quad cities where, after dropping her off, she began her next semester of college. That was her only experience on a circus.

I headed east to pursue a fall tour on another show. I joined a small circus with a five-week season in Michigan that performed in school gymnasiums. At the end of that tour, I ventured to Indiana, gathered up the new crop of pony babies at the Palomino farm, picked up the liberty harness commissioned at Shipshewana and headed for Michigan.

At Hayes farm, I unloaded the weanling babies and gathered up the yearlings. One colt had died.

Hayes told me the story of Lewis Bros Circus, a show owned locally that thrived during the thirties and forties that wintered east of Jackson on Fox Road. He had gone out there in the past to snoop around but the owner of the farm wasn’t keen about visitors. Fortunately, the farm had changed hands again and Hayes made friends with the new owner. He saw the left-over equipment that had sat for several decades but not before many of the rotting wagons had been burned.

Since he was friendly with the current owner of the farm, during one of my visits to Clarklake, he suggested we drive up there and look around. We went to Fox Road in his green station wagon. Behind the large white home in a rural part of the county, a sunken driveway lead past a row of tall trees up to the back where two large barns stood. Inside the first one was a low ceiling and a labyrinth of aisles and stalls, obviously where the animals for the show lived during the winter.

The other barn was a massive, high ceiling structure with sheet metal on the floor where the elephant was housed. Up on the second floor, a large room was where the wardrobe, canvas repair and other preparations took place.

As Hayes and I explored the barn we saw an inverted elephant tub being used as a coal hopper and recognized other pieces of equipment strewn around. The owner told us to take what we wanted. I found a complete set of liberty horse harness and an elephant bracelet.

Part of the challenge of living on the road involved an inability to collect things. My choice to keep something usually meant that another belonging would have to be discarded, but this find was too good to pass up.

 After some additional artistic projects Hayes had accumulated for me to complete, I headed for Oklahoma with four yearlings to begin the creation of my new palomino liberty act. I was about to begin the experience that would positively imprint my life in many amazing ways.

This business I had selected in an effort to make an improvement came filled with extremes; from encouraging friends that became a positive influence for my life, to crooks with agendas that inflict selfish devastation. Instead of receiving wisdom from the lessons learned on the road, my response was more of what I had established as a child. I sought on my own to utilize self-reliance and independence for surviving in this turbulent society. The ponies would teach me something vastly different.

Season Two of the Circus

Season Two of the Circus

The plan for the second season was to spend another summer in Michigan, and then pursue a route that would take us to Texas where we would winter in the sunshine of the Rio Grande Valley. The season opening meant that I changed roles, morphing from fabricator and decorator into assuming the set-up and tear down of the side show on the one day stand routine that brought circus entertainment to small towns. During the Fisher Bros Circus season of 1972, I was moving a 30’x60’ tent, had eighteen animals on foot, eighteen animals in cages with two men working for me. Soon a hippopotamus would be among the component of animals.        

The second season also introduced twin bandstand trucks to flank the back door of the big top. Marie Loter was on organ and myself as drummer and announcer.

Another attraction was added to the concessions for the second season of Fisher Bros Circus.  Jim Kernan brought his small Wienie Wagon concession stand. Jim’s presence offered candy apples and hot dogs to the audience in the seats. Each afternoon Jim would sing in a pleasant baritone while he made the candy apples.

Jackie also showed up from the rodeo scene with her tight and bright metallic looking western wardrobe. She presented a whip cracking act and commanded a lot of favorable attention. Jackie was a good-looking lady and her traveling companion was a large white dog.

During the first season, our show had no water wagon.  Raymond Duke was the show’s agent who always booked the show on a lot with a water access. One of the new pieces of equipment in season two was a water tanker. In order for my camper/bandstand pickup to qualify for paid fuel on the show, I was recruited to pull the water wagon. The wagon was made from a pickup truck frame with an elongated square tank resembling a box. Towing the water wagon required that I stop prior to coming onto the lot to fill it each morning. I quickly learned how to divine water from unfamiliar towns and counties.  

I discovered that getting water for the circus would get bogged down in red tape if I sought permission. I figured out how to speed things up. During the week, all churches were mostly vacant. To find a church with a hose bib on the outside of the building provided fast and easy access to water. Weekends, when church was busy, I would look for a school to get water in the same manner. But filling up a several hundred-gallon tank with a water hose took time. So to not hang around looking suspicious while the water filled the tank, I began to take early morning walks once the tap had been turned on. This allowed me to enjoy exploring the new town while not arousing suspicion that water stealing was going on. On the walks I discovered old remnants of feed mills, thriving downtowns and lunch counters in the local drug stores. Neighborhoods provided an endless variety of visual wonder for me to observe. I found I could enjoy olfactory stimulation while the water tank was filling.

Circus entertainment in the early seventies still had influences that lingered from the day of horse and carriage. Famous jungle explorers had brought exotic animals to the forefront of the imagination of every child. The exploration of the world brought many live attractions for touring entertainment productions.

Northern Ohio contained the winter quarters and farm of exotic animal showman Tony Diano. The opportunity to purchase his hippopotamus included a large animal cage semi-truck that sported a large water pool and a platform for the feeding and comfort of Ava the hippo. She was named after a popular movie star of that era.

Ava the hippo needed a change of water in her pool daily. I received more cherry pie with the support duties of Ava. Every morning the swampy water had to be dumped on the edge of the lot to lighten the load before the jump to the next town. Once at the next lot, I began the erection of the side show tent and one of my men scooped the hippo cage clean. Then, I took the hippo semi downtown to the fire department and asked them to hose down the hippo and fill the tank. This task was always met with enthusiasm and drew a local crowd. When the tank was full, the heavy rig was carefully driven back to the lot and positioned adjacent to the side show for the paying patrons. 

 Animal presentations with various creatures accomplishing all manner of feats were part of traditional circus performances during the golden era and they were appreciated because the general population still had horse sense, due to their connection with horses.  People revered and cherished the special gifts of a trainer who coaxed his animals to accomplish amazing feats.  I developed a passionate interest observing the unique skills of the trainer of circus animals while drumming for these acts during the show. Discussions between shows and particularly at the cookhouse with trainers reflected this.

Billie Grubb was our cook. She was plump, short and her perpetual smile accompanied plain cotton clothes. She had a sprout of short grey hair. Her country accent radiated from the kitchen in a converted white school bus with red lettering and scrollwork down the sides. A small tent with portable tables was set up beside this galley each day. Breakfast was a challenge sometimes, depending on the lay of the land. The largest and flattest area on the lot was primarily used for the big top and seats, and the show cookhouse tent was sometimes set up on a hill. Because of this, the dining tables were often slightly tilted, creating a challenge when eating pancakes. Instead of pouring syrup onto the stack and having it run off the side of the paper plate, we learned how to first cut a square hole in the middle of the pancake stack and pour the syrup into the hole.

A peek at my future occurred while standing in line at the cookhouse. Billie always graced us with encouraging conversation. She noticed my interest in trained animal presentations. As I inched toward the kitchen window, I heard an innocent enough observation about my interest with performing livestock.

“Hey Drummer Boy, you ought to have a pony act of your own” suggested Billie the cook as she dished up my meal.

The others on the show observed my fascination with Liberty Horses. The harmony between the trainer and a group of horses performing At Liberty, or without any tethers or restraints of any type. This is traditionally regarded as being the most elite of the circus performing arts.  From the bandstand, I observed these liberty routines at every show and in the backlot, interacted with the same animals as I helped the trainer with his chores.

“My husband could train them for you,” Billie continued as I left her proximity with my meal and sought a seat.

Our cook was from Hugo, Oklahoma. She was the wife of Bob Grubb, an old-time cowboy and horse trainer. Together they had a liberty horse acts and other performing horses in many shows over the years. She suggested that I might want to meet her husband Bob someday and see if he could help me train an act of my own. This invitation prompted a new flood of ideas.

My First Blog Post

This is the first post on my new blog. I’m all about the circus, living my life as a creative artist and how wonderful my life with horses has been. I have many stories to share about my interesting life and have finally begun getting this new blog going, so stay tuned for more and let me hear from you. Subscribe below to get notified when I post new updates.