The culmination of the holidays found me at the fairgrounds in Sarasota preparing for Circus Competition. During the five performances that took place that week, every participant competed in one of several categories; aerial acts, juggling and acrobatic troupes, exotic performing animals, domestic animals, balancing acts, clowns, musicians and ringmasters. Every facet of the sawdust entertainment realm from all nations were represented.
By this time, I had a confident horse with a good work ethic. I learned on the tour earlier that year, wherever I aimed this horse, he willingly went, and when we got there, he was ready to go to work.
A year ago, I brought him here to get him used to the sights, smells and sounds. This time we were ready with an animated rehearsed routine. The rings in the mega circus tent were on grass, better footing than hockey floors. We were able to trot and canter freely. I had an admirable posture in the saddle, thanks to Vi and a spontaneous brassy attitude for whatever vicissitude should occur, thanks to Chuck. With John’s help, my routine was polished, and in front of all the critics in this business, I aspired to shine.
New red wardrobe had been created using the claw hammer tail tuxedo style jacket with strategic rhinestones sewed on for accents. When the time was right, I mounted my glistening steed. The pre-arranged musical score was provided to the brass circus band. I waited behind the backdoor curtain for my announcement before our entrance.
Finally, the preceding act reached its conclusion. The applause settled down.
After a brief pause came the booming voice “Keeping alive the timeless circus tradition of performing horses, please welcome the American Saddlebred dancing high school horse ‘Souveran’, trained and presented by Dave Knoderer.”
The curtain was thrown open. My horse became immediately animated and we floated at a trot into the ring. Our routine was accompanied by the captivating chords from the theme song of Star Wars, translated by the bevy of brass in the bandstand. A volte in either direction preceded the flawless side pass through the lateral center of the ring.
I knew that every one of the Herrmann girls of Lipizzaner horse show fame were watching and became extra light with my aids to facilitate a seamless transition from the forward to the lateral movement. At the conclusion of the trot work that opened our routine and established that we had a handle of this aspect of horsemanship, we halted at the center of the ring. I sat straight. I knew the horse knew what was next. All I had to do was signal with a muscle tension in my groin and he began to lean back. He lifted his leg as he did and came to rest on one knee. As he did so, I struck the style pose and the audience provided thunderous applause.
The most important part of this movement is the hold. Many rookie horsemen are satisfied with simply getting the pose but the horse learns to do it and bound right back up. The movement has three parts; going into the pose, holding the pose, and coming up from the pose. Knowing horse trainers were in the audience, I made sure to hold the bow for an extended amount of time just to show off the fact that we had a handle on this thing.
Next in the routine was the three-step where the horse moved forward and, at every third stride, a foreleg was elevated and extended in an exaggerated motion. Special care was necessary to not interrupt the forward momentum with too much of the aid that asked for the leg extension. Finesse is what facilitates a good three-step. The movement continued all around the ring. After one revolution, we dissected the ring from back to front and reversed direction. In this other direction we began to march, or do a leg extension every stride, all around the ring.
Special care was needed to prompt, in careful rhythm, the forward walk with a leg extension every stride. During the march I radiated a confident air and remained in contact with the crowd. The march then assumed a track through the center and toward the front of the ring where we faced the grandstand. While up against the ring curb, our proximity seemed to promote the question in the mind of the audience, what’s next? We began the double-backwards three-step, which is three backward strides and a double foreleg extension which was repeated regularly as we backed through the ring.
In the rear of the round exhibition venue the horse was already sensitized to go in reverse. I provided an invisible cue from my seat and signaled him to glue his front feet to the ground. I then coaxed him into the camel stretch or circus bow where his front feet were out front and his chest was inches off the ground. Again, timing was what allowed the public to notice his magnificence. As he held this pose like a living statue, we provided a picture of the classically trained horse and rider.
From this pose came the exciting conclusion. Beginning with the trot, the goal was an elevated leg extension at every stride. This was called the high trot and was a difficult movement that took years to do consistently. Because our training was still underway, I just asked for three strides. I got the conditions right and began to ask. For whatever reason, the response from him would either be quick or his understanding of what I asked went unnoticed. So, I asked again. When I got a few strides in a row, I discontinued asking and rewarded him with some verbal thanks for being a good boy. I had learned this from Evy Karoli in German years ago; “yo brae.”
To utilize the accumulated compulsion, a transition to canter was next. The gait traversed and went into a figure eight with a change of leads at the center of the ring. We concluded the act by cantering up to the front center to halt. We took a bow and saluted the crowd. Then, while the announcer re-introduced our names, we backed through the ring and bowed again in front of the backdoor curtain.
The act was well received, but I didn’t know just how well until later in the day. Back in my street clothes with the horse and mule bedded down. Philip Anthony rushed up to me.
“You won!” he blurted out, “you’d better make plans to be at the black-tie awards banquet tomorrow night.”